


5 PARTS																		 5 PARTS
*   Ruth has single copies; not on Music Available List
#  music available, but not yet in our repertoire


Monteverdi:	 # Ardi o gela -- Risposta  (Primo, p. 64)  (five voices -- to be determined)
				# Ardo si ma non t'amo  (Primo, p. 61)  (five voices -- to be determined)
				# Arsi e alsi -- Controrisposta  (Primo, p. 67)  (five voices -- to be determined)
				# Ch'io ami la mia vita  (Primo, p. 1)  (five voices - to be determined)
				# Donna s'io miro voi  (Primo, p. 58)  (five voices -- to be determined)
				# La vaga pastorella  (Primo, p. 50)  (five voices -- to be determined)
				# Mentre io miravo fiso  (Secondo, p. 58)  (five voices -- to be determined)
				# Non giacinti o narcisi  (Secondo, p. 24)  (five voices -- to be determined)
				# Non mi e grave  (Secondo, p. 92)  (five voices -- to be determined)
				# Quell'ombra esser  (Secondo, p. 49)  (five voices -- to be determined)
				# Questo specchio ti dono  (Secondo, p. 87)  (five voices -- to be determined)
				# Se per havervi oime  (Primo, p. 5) (five voices - to be determined)
				# Se tu mi lassi  (Secondo, p. 65)  (five voices -- to be determined)
				# Ti sponto l'ali amor  (Secondo, p. 97)  (five voices -- to be determined)
				# Tra mille fiamme  (Primo, p, 39)  (five voices -- to be determined)
				# Tutte le bocche belle  (Secondo, p. 39)  (five voices -- to be determined)
				# Usciam Ninfe homai  (Primo, p. 42)  (five voices -- to be determined)


SSATB      

Anonymous:	Angels from the realms of glory  SSATB  (CC I, p. 16)   (Christmas)
Arcadelt:	S'infinita belleza  SSATB  (Golden Age, p. 7)
Bach:		Jesu, meine Freude  SSATB  (Motet III, p. 48)
Bateson:  	# And must I needs depart, then?  SSATB  (Penguin 5, p. 13)
			Come sorrow, help me to lament  SSATB   (Ruth file; all have)
			# Down the hill Corinna trips  SSATB  (Penguin 5, p. 20)
			Orianaes Farewell: Hark, hear you not?  SSATB  "posthumous Oriana"   (Ruth 					file; all have)
			Those sweet delightful lilies  SSATB  (low alto)  (Oxford, p. 332)
Bennett:	All creatures now are merry  SSATB  (Oxford, p. 1; Oriana No. 4, p. 41)
Byrd:		# Come, woeful Orpheus  SSATB  (Penguin 5, p. 27)
			Haec dies  SSATB  (Paschali, Bk. II, Kienitz;  all have)
			I thought that love had been a boy  SSATB  (A Cappella, p. 55;  all have)
			# O quam gloriosum  SSATB  (Kienitz, Ruth 1 ea; Frank orig)
			Though Amaryllis dance in green  SSATB (Oxford, p. 324;  all have)
Carlton:	Calm was the air  SSATB  (nice tone painting) (Oriana No. 7, p. 67; all have) 
				(not warm-up)
Cavendish:	Come, gentle swains  SSATB (Oriana No. 11, p. 120;  Oxford, p. 48;  all have)
			To former joy  SSATB  (high for sopranos; hammy;  all have)
			# Zephyrus brings the time  SSATB  (Penguin 5, p. 34)
Cobbold:	#  With wreaths of rose and laurel  SSATB  (Oriana No. 12, p. 126)
Distler:		Wohin stets meine Schritte fielen  SSATB  (Chorubungen, p. 256; all have)
East:		Come Life, Come Death  SSATB  (dull bass, but nice; not warm-up)  (all have)
			Hence stars!  too dim of light  SSTTB or SSATB or SSABB  (Oriana, p. 1)
			# What doth my pretty darling?  SSATB  (Penguin 5, p. 45)
Farmer:	You pretty flowers  SSATB  (all have)
Flagg:		# Hallelujah  SSATB or SSTTB  (Frank orig; Ruth, Kienitz, 1 ea)
Gabrieli, G.:	 Quand'io ero giovenetto SSATB  (Golden Age, p. 44, chirpy)  
Gastoldi:	# Amor vittorioso  SSATB (European,  p. 16)
			Il Piacere  (30 second piece; high sopranos)  SSATB  (all have)
			Vezzosette ninfe  SSATB (European, p. 19)
Gesualdo:	Bella Angioletta  SSATB  (Bk. I, p. 76)
			Belta, poi che t'assenti  SSATB  (Bk. VI, p. 16)
			Chiaro risplender suole  SSATB  (Bk.VI, p. 25)
 			Deh, come invan  SSATB  (Bk. VI, p. 40)
			Deh, coprite il bel seno  SSATB  (Bk. V, p. 64)   Trans
			Deh, se gia fu crudele  SSATB  (Bk. III, p. 64)
			Dolce spirto d'Amore  SSATB  (Bk. III, p. 31)
			Dolcissima mia vita  SSATB  (Peters 4363, p. 22; Bk. V, p. 23)
			Dolcissimo sospiro  SSATB  (Bk. III, p. 66)
			Gia piansi nel dolore  SSATB  (Bk. VI, p. 96)
			Io parto e non piu disi  SSATB  (Bk. VI, p. 29)
			Io pur respiro  SSATB  (Bk. VI. p. 44)
			Itene, o miei  SSATB  (Peters 4363, p. 26;  Bk. V, p. 19)
           		Languisce al fin  SSATB  (Bk. V, p. 45)
			Languisco e moro  SSATB  (Bk. III, p. 20)
			Luci serene e chiare  SSATB  (Peters 4363, p. 6; Bk. IV,  p. 13)
			1.  Mentre madonna il lasso fianco posa   SSATB  (Bk. I, p. 31)	Trans
			#  2.  Ahi, troppo saggia nell' errar  SSATB  (Bk. I, p. 34)  	Trans
			Mille volte il di  SSATB  (Bk. VI, p. 33)
			Moro lasso  SSATB  (Peters 4363, p. 30; Bk. VI, p. 74)
			1.  O come e gran martire  SSATB  (Bk. II, p. 35)
			2.  O mio soave ardore  SSATB  (Bk. II, p. 36)
			O voi troppo felici  SSATB  (Bk. V, p. 51)
			O vos omnes  SSATB  (SATTB - down 3rd)  (Sacrae Cantiones VIII, p. 40 -- the 				one we know)  Trans
			1.  Or, che in gioia credea viver contento  SSATB or SAATB  (Bk. IV, p. 33)
			2.  O sempre crudo Amore  SSATB or SAATB  (Bk. IV, p. 35)
			Quando ridente e bella  SSATB  (Bk. VI, p. 100)
			Se la mia morte brami  SSATB  (Bk. VI, p. 13)
			Son si belle le rose  SSATB  (Bk. I, p. 73)
			1.  Sospirava il mio core  SSATB  (Bk. III, p. 35)
			2.  O mal nati messagi  SSATB  (Bk. III, p. 37)
			Tu m'uccidi, o crudele  SSATB (Bk V, p. 60; Ren to Bar II, p. 42)
Gibbons:	# Dainty fine bird  SSATB  (Oxford, p. 72)
			#  Long live fair Oriana  SSATB  (Oriana No. 3, p. 32)
			# O that the learned poets  SSATB  (Oxford, p. 222)
			The silver swan SSATB  (Oxford, p. 310;  A Cappella, p. 68;  all have)
Giovanelli:	# Mi sfidate  SSATB  (A Cappella, p. 152)
Greaves:	#  Long have the shepherds sung this song  SSATB  (Ruth file,  Kienitz original; 					unofficial Oriana)
Hassler:	Ach weh dess Leiden  SSATB  (Chorubungen, p. 121; all have)   Trans
			Ad Dominum cum tribularer (need 2 basses)  SSATB or SAATB  (all have)
Hilton:		#  Fair Oriana, beauty's queen  SSATB  (Oriana No. 5, p. 49)
Hindemith:	The Devil a monk would be! (Ein Wolf)  SSATB  (wierd)  (all have)
			Twelve Madrigals  SSATB  (Kienitz file only)
				1.  Mankind
				2.  A fool's, an artist's life  (all have)
				3.  Drown your callow fears
				4.  Drink up!  (all have)
Holmes: 	Thus Bonny-boots  SSATB  (Oriana No. 8, p. 77)
Howells:	#  Here is the little door  (Christmas)  SSATB  (Ruth, single copy)
Kirbye:		See what a maze of error  SSATB  (Oxford, p. 258)
			What shall I part thus  SSATB  (Med & Ren, p. 176)
Kodaly:  	A Christmas Carol  (All men draw near)  SSATB  (CCI, p. 18)  (Christmas)
Kuhnau:	Tristes est anima mea  SSATB  (Ruth file; Kienitz single)
Lasso:		Justorum anima  SSATB  (Chorubungen, No. 10)  "gem"  (all have)
Lovell:		Blow the wind southerly   Sop. solo with 4 voice or string acc.  (Northumbrian folk 				song, Ruth)
			My miner lad  SSATB     (Northumbrian folk song, Ruth)
			The oak and the ash   Sop. solo with 4 voice acc.     (Northumbrian folk song, 					Ruth)
Lully:		Tanz-Chor (Haltet uns, wonige Banden, umwunden)  SSATB  (Chorubungen, 
				p. 145; all have)
Marenzio:	#  Che fa hoggi il mio sole  SSATB  (all have; N 30)
			Crudele acerba  SSATB  (10 Madrigals, p. 72)  (all have)
			Deh Tirsi anima mia  SSATB or  SATTB  (Ruth; all have)
			Liquide perle amor  SSATB  (Frank 8 orig;  Kienitz 6 cc; Ruth file; all have)
			#  Madonna mia gentil  SSATB  (all have; N 27)
			Qual mormorio soave  SSATB  (10 Madrigals, p. 54)  "gem"  (all have)
			Scaldav'il sol  SSATB or SSTTB  (Madrigali, Nr. 4, p. 16; all have)  cheerful; 					"gem"  
			Scendi  SSATB  (Madrigalisti, Nr. 6, p. 28)  (all have)
			Spring returns   SSATB   (A Cappella,  p. 136)
			Togli, dolce ben mio  SSATB  (10 Madrigals, p. 47)  (all have)
			Vergine gloriosa  SSATB  (10 Madrigals, p. 64)  (all have)
Milton:		O had I wings like to a dove  SSATB  (high soprano both parts)  (all have)
Monte:		Like as the turtle dove  SSATB  (good warm-up)   (Rediscovered, p. 58)  (all have)
			On the first day of May  SSATB  (Kienitz)  (all have)
Monteverdi:	A che tormi il ben mio  SSATB  (Madrigale I, p. 6; all have)
				Amor per tua merce    SSATB   (Primo, p. 11; all have)
				Anima mia perdona  SSATB  (Madrigale I, p. 30; all have)
				Baci, soavi, e cari  SSATB (Madrigale III, p. 10;  Primo, p. 14; all have)
				Ch'ami la vita mia  SSATB  (Madrigale I, p. 3; also in  Kienitz file in flats; all 					have)
				Che se tu se il cor mio  SSATB  (Madrigale I, p. 33; all have)
				Ch' io non t' ami  SSATB  (Madrigale I, p. 26; all have)
				#  Ch'io t'ami  SSATB  (10 Madrigals, p. 72)
				Crudel! perche mi fuggi?  SSATB  (Madrigale III, p. 14; 10 Madrigals, p. 16; 					very nice; all have)
				#  Dolcemente dormiva la mia Clori  SSATB  (10 Madrigals, p. 22; Ruth T6)
				Dolcissimi legami     SSATB or SAATB   (Secondo, p. 19)  
				Donna nel mio ritorno    SSATB   (Secondo, p. 44)
				E dicea l'una  SSATB   (Madrigale I, p. 14;  all have)  
				Ecco mormorar l'onde  SSATB or SSTTB or SATTB  (Madrigale II, p. 55; all 					have)
				Era l'anima mia gia presso  SSATB  (Madrigale I, p. 40; all have)
				1.  Fumia la pastorella    SSATB   (Primo, p, 27)  
				2.  Almo divino raggio    SSATB   (Primo, p. 29)  
				3.  All' hora i pastori tutti    SSATB   (Primo, p. 32)  
				Jo mi son giovinetta  SSATB  (Madrigale III, p. 20; all have)  "gem"
				La bocca onde     SSATB or SAATB   (Secondo, p. 75)  
				Lagrime d'Amante al Sepolcro dell'Amata  SSATB or SATTB  (low alto)
					#1 - very low bass and alto
					#2 - very low bass and alto
					#3 - not so low
				Lasciate mi morire  SSATB  or SATTB   (Madrigale III, p. 18 and  European, 					p. 12, in f minor; Kienitz file, in d minor)
				Luci serene e chiare  SSATB  (10 Madrigals, p. 55; all have)
				M'e piu dolce il penar  SSATB  (Madrigale I, p. 44)
				1.  Non si levav' ancor  SSATB  (Madrigale I, p. 8; all have) nice
				2.  E dicea l'una  SSATB  (Madrigale I, p. 14; all have)
				O com' e gran martire  SSATB or SSSTB    (Madrigale I, p. 22; all have)
				O mirtillo  SSATB  (not warm up - breath control; low alto)
					(Madrigale I, p. 36; all have)
				O rossignuol, ch' in queste verdi  SSATB  (Madrigale III, p. 36; all have)
				#  Oime il bel viso  SSATB  (10 Madrigals, p. 97)
				Piagn' e sospira  SSATB  (low women's parts)   (Madrigale II, p. 49; all have;  					Frank 2 originals and 10 extra ccs)
				Poi che del mio dolore  SSATB  (good warm-up;  all have)
				Quel Augellin che canta si dolcemente  SSATB  (high; showy; not warm-up)
					(10 Madrigals, p. 63;  Madrigale III, p. 5;  all have)  Trans
				S' andasse amor a caccia  SSATB  (Madrigale I, p. 18;  all have)  (good warm-					up)
				Se nel partir da voi  SSATB  (Madrigale III, p. 26;  all have)
				Se pur non ti contenti   SSATB     high    (Primo, p. 18)  
				Sfogava con le stelle  SSATB (10 Madrigals, p. 47;  all have)
				Si, ch'io vorei morire  SSATB  (wide range; not warm-up) (Madrigale II, p. 31;  					all have)
				Vattene pur, crudel  SSATB  (10 Madrigals, p. 30)  "gem"
				Zefiro torna  SSATB  (Madrigale III, p. 29; 10 Madrigals, p. 88;  all have)  								coloratura!   Trans
Morley:	# Dainty, fine, sweet nymph  SSATB  (A Cappella, p. 26)
			Fire, fire my heart!  SSATB (Oxford, p. 112, key of F; European, p. 47, key of G; 				all have)
			I love, alas, I love thee  SSATB folder; SATBB or SATTB in Oxford, p. 148;  all 				have
			Shoot, false love, I care not  SSATB  (A Cappella, p. 22)
			Sing we and chant it  SSATB  (Oxford, p. 263; A Cappella, p. 3; all have)
			What saith my dainty darling?  SSATB  (all have)
			Why weeps, alas  SSATB  (not a warm-up)  (all have)
Mundy:	Lightly she whipped o'er the dales  SSATB  (Oriana, No. 2,  p. 18; Ruth file; all 					have)  "gem"
Nicolson:	Sing, shepherds all    SSATB  (Oriana No. 9, p. 88)
Pilkington:	# Sing we, dance we on the green  SSATB  (Penguin 5, p. 82)
Porta:		# Erasi al sole il mio bel sole assiso  SSATB  (Golden Age, p. 59)
Ravel:		Trois Chansons
				2.   Trois beaux oiseaux du Paradis  SSATB  (Kienitz orig;  all have)
Rossi:		Felice chi vi mira  SSATB  (Rediscovered, p. 52;  all have)
Schutz:		Die mit Traenen saen  SSATB (low alto) (Frank 9 cc; Geistliche, p. 45; all have)
			Es ist erschienen   SSATB  (Geistliche, p. 9)  Christmas
			So fahr ich hin zu Jesu Christ   SSATB  (Geistliche, p. 51)
			Unser keiner lebet ihm selber  SSATB  (Geistliche, p. 25)
			1.  Verleih uns Frieden  genadiglich    SSATB  (Geistliche, p. 17)  (all have)
			2.  Gib unsern Fuersten  SSATB  (Geistliche, p. 21)
			(Also  Geistliche, p. 39 is SSATB)
Steffens:	Der vierte Teil: Der Wien schmeckt so wunderschoen  SSATB  (light & fast)
				(all have)
Stephani:	# Der Kuckuck hat sich zu Tod gefalln  SSATB (European, p. 85)
Sweelinck:	Hodie Christus natus est  (Christmas)  SSATB   (Chorubungen No. 30;  all have)
Tallis:		Deus tuorum militum  SAATB or SSATB or SATTB  (Frank orig, Ruth file, all 					have)
			Quod chorus vatum  SAATB or SSATB or SATTB  (Frank orig, Ruth file, all 					have)
Tomkins:	# Come, shepherds, sing with me  SSATB  (Penguin 5, p. 89)
			Music divine  SSATB  (Oxford, p. 175; all have)
			See, see the Shepherd's Queen  SSATB (Oxford, p. 248; also folder; all have)
			The fauns and satyrs tripping  SSATB  (Oriana No. 10, p. 102)
			Then David mourned  SSATB  (Ruth file; all have)
			# To the shady woods now wend we  SSATB  (Penguin 5, p. 98)
			Too much I once lamented  SSATB  (Oxford, p. 358; Ruth file; all have)
Vautor:		# Ah sweet, whose beauty passeth all my telling  SSATB  (Penguin 5, p. 102)
			Mother, I will have a husband  SSATB  (Penguin 5, p. 108; Oxford, p. 168; Ren to 				Bar III, p. 54; all have)
			Sweet Suffolk owl  SSATB  (Oxford, p. 303; all have)
Vecchi:		Chi vi mira  SSATB  (nice; singable; all have)   good warm-up
			#Fummo felici un tempo  SSATB  (Golden Age, p. 76)
			Giote tutti  SSATB     all have
			#  Pastorella graziosella  SSATB  (Chorubungen, p. 209; Kienitz, Ruth only)
Ward:	# Upon a bank with roses set about  SSATB  (Penguin 5, p. 116)
Weelkes:	Cold winter's ice  SSATB (Penguin 5, p. 125, key of G;  Kienitz file, key of A; all 				have)
			Grace my lovely ones, fair beauties  SSATB  ( A Cappella,  p. 45)
			Hark, all ye lovely saints above  SSATB  (not a warmup) (Oxford, p. 137;  Ren to 				Bar III, p. 87;  European, p. 57; all have)
			In pride of May  SSATB  (European, p. 61;  Ruth T6 only)
			Lady, your eye my love enforced  SSATB  (A Cappella, p. 49)
			1.  O care, thou wilt despatch me  SSATB or SAATB  (Oxford, p. 192; all have)
			2.  Hence, care  SSATB or SAATB or SATTB   (Oxford, p. 196; all have)  low alto, 				not warm-up
			On the plains, fairy trains  SSATB  (Ruth file; all have)
			Sing we at pleasure  SSATB  (Penguin 5, p. 131;  Oxford, p. 268; all have)
			We shepherds sing  SSATB   (Ruth T6 only)
Wert:		Ah dolente partita!  SSATB  (Golden Age, p. 71)  high
			Un jour je m'en allai  SSATB  (Chorubungen, p. 239;  all have)
Wilbye:	1.  Down in a valley   SSATB   (all have)  "gem"
			2 .  Hard destinies are love  SSATB  (nice, melodious, singable)   (all have)  "gem"
	  		Flora gave me fairest flowers  SSATB  (A Cappella, p. 32;  Penguin 5, p. 137;
				Oxford, p. 101; all have)    not warm-up
  			# Oft have I vowed  SSATB  (Penguin 5, p. 143)
			1.  Sweet honey-sucking bees  SSATB (Oxford, p. 288; better edition in folder; all 				have)
			2.  Yet, sweet, take heed  SSATB  (Oxford, p. 295; all have)
			Thus love commands  SSATB or SSAAB or SSTTB  (Kienitz file; all have)
Wolters:	Still, still, still, weils Kindlein schlafen will  (Christmas)  SSATB  (Ruth file)l4269e12(635)\1b36B1451b11B8482b3B5156b4B3b1B

SSSTB

Monteverdi:	O com' e gran martire  SSATB  or SSSTB  (Madrigale I, p. 22)


SSAAT

Cyprian:	1.  Si ignoras te     SSAAT   (N-50)
			2.  Surge, propera      SSAAT     (N-50; with "Voce mea ad Dominum clamavi", 
				N-57;  all have)


SSAAB

Wilbye:	Thus love commands  SSATB or SSAAB or SSTTB  (Kienitz file; all have)


SSABB

East:		Hence stars!  too dim of light  SSTTB or SSATB or SSABB  (Oriana, p. 1)


SSTTB

East:		Hence stars!  too dim of light  SSTTB or SSATB or SSABB  (Oriana, p. 1)
Flagg:		#Hallelujah  SSATB or SSTTB  (Frank original; Ruth, Kienitz  single each)
Gibbons:	Trust not too much, fair youth  SSTTB  (Oxford, p. 364; all have)  "gem"
Marenzio:	Scaldav'il sol  SSATB or SSTTB  (Madrigalisti, Nr. 4, p. 16; all have)   cheerful; 					"gem"
Monteverdi:	Ecco mormorar l'onde  SSATB or SSTTB or SATTB  (Madrigale II, p. 55; all 					have)
Norcome:	With angel's face and brightness  SSTTB  (Orian No. 1, p. 9; all have)
Wilbye:	Thus love commands  SSATB or SSAAB or SSTTB  (Kienitz file; all have)
 
SAATB      

Brahms:	Der bucklichte Fiedler  SAATB   (Peters No. 3915, p. 38)
			Deutche Volkslieder 
				9.  Abschiedslied  SAATB  (Peters No. 3915, p. 90)   (nice) (alto divides 2 						meas)
Bruckner:	Christus factus est pro nobis obediens (Gradual III)  SAATB  (Peters No. 6316; all 
				have)
Clemens non Papa:	Ascendit Deus  SAATB  "gem"  (all have)
Cyprian:	#  Voce mea ad Dominum clamavi  SAATB  (N57; all have)
Fayrfax:	Magnificat "Regali"  SAATB  (Frank original;  Ruth file: all have)
Gabrieli, G.:	 Two Madrigals from "Musica Spirituale"  (not a warm-up)
					1.  Signor, le tue man sante  SAATB  (all have; Frank original)
					2.  Vergine il cui figliol  SAATB  (all have; Frank original) 
Gagliano:	#  Di marmo siete voi  SAATB  (Golden Age, p. 85)
Gesualdo:	1.  Cor mio deh non piangete  SAATB  (Bk. IV, p. 37)	Trans
			2.  Dunque non m'offendete  SAATB  (Bk. IV, p. 39)	Trans
			1.  Ecco moriro dunque  SAATB  (Peters 4363, p. 11;   Bk IV, p. 59)
			2.  Ahi, gia mi discoloro  SAATB  (Peters 4363, p. 13,   Bk IV, p. 60)
  			Felicissimo sonno  SAATB (Bk V, p. 33)
			1.  Io tacero  SAATB  (Peters 4363, p. 16;   Bk IV, p. 21)
			2.  Invan dunque crudele  SAATB  (Peters 4363, p. 19;   Bk IV, p. 24)
			1.  Or, che in gioia credea viver contento  SSATB or SAATB  (Bk. IV, p. 33)
			2.  O sempre crudo Amore  SSATB or SAATB  (Bk. IV, p. 35)
Greaves:	# Come away, sweet love  SAATB  (Oxford, p. 42)
Hassler:	Ad Dominum cum tribularer (need 2 basses) SSATB or SAATB  (all have)
Jeep:		Nil nostri miserere, mori me denique cogis  SAATB or SATTB  (if SATTB, need 				high tenor;  in German!)   (all have)
Josquin:	Parfons regretz  SAATB  (all have)
Marenzio:	Fieri silvestre  SAATB or SATTB (Golden Age, p. 65; high)
Marson:	The nymphs and shepherds danced  SAATB or SATTB  (Oriana No. 6, p. 57; all 				have)
Merulo:	Quand'io pens'al martire  SAATB  (Golden Age, p. 21)
Monte:		# Verament' in amore  SAATB  (Golden Age, p. 40)
Monteverdi:	# Amor s'il tuo ferire    SAATB   high sop, tenor, bass    (Primo, p. 54) 
				Cantai un tempo     SAATB   (Secondo, p. 102) 
				Dolcissimi legami     SSATB or SAATB   (Secondo, p. 19)  
				La bocca onde     SSATB or SAATB   (Secondo, p. 75)  
Palestrina:	Non son le vostre mani  SAATB  (Chorubungen, p. 192; all have)	
Tallis:		Candidi facti sunt  SAATB  (Ren to Bar III, p. 20;  16 Cantiones sacrae I, p. 186; 				all have)
			Deus tuorum militum  SAATB or SSATB or SATTB  (Frank orig, Ruth file, all 					have)
			Quod chorus vatum  SAATB or SSATB or SATTB  (Frank orig, Ruth file, all 					have)
Tomkins:	When David Heard  SAATB  (all have)
Weelkes:	1.  O care, thou wilt despatch me  SSATB  or SAATB   (Oxford, p. 192; all have)
			2.  Hence, care  SSATB  or SAATB or SATTB   (Oxford, p. 196; all have)  low alto, 				not warm-up
Wilbye:	#  Alas, what a wretched life  SAATB  (Ruth; N35; all have)	
			Weep, weep, weep, mine eyes  SAATB  (Anthology of Music;  Penguin 5, p. 152; 
				Oxford,  p. 376)  "gem"
SATTB      

Byrd:		Ave Maria  SATTB  (Ren to Bar III, p. 45; all have)
			Civitas sancti tui  SATTB  (Kienitz; all have)
			#Emendemus in melius  SATTB  (Med & Ren, p. 115)
			Laetentur coeli  SATTB    ( all have)
			Lullaby, my sweet little baby  SATTB  (Oxford, p. 158; all have)  Christmas
			Mass for Five Voices  SATTB    (all have)
			# When first by force of fatall destenie  SATTB or SATBB  (Med & Ren, p. 121)
Cyprian:	#  L'ineffabil bonta  SATTB  (all have; N24)
			O morte, eterno fin  SATTB  (Golden Age, p. 13; all have)
Eccard:		Ich lag in tiefer Todesnacht  SATTB  (Chorubungen, p. 81; on sheet with 						Schroeter "Allein Gott in der Hoeh' sei Ehr")
			O Lamm Gottes  SATTB  (Chorubungen, p. 86; all have)
Gabrieli, A.:	Ecco l'aurora con l'aurata fronte  SATTB  (Golden Age, p. 32) 
Gallus:		Mirabile mysterium  SATBB or SATTB  (Frank orig; all have)
Gesualdo:	Al mio gioir  SATTB (Bk. VI, p. 84)
			Ave, dulcissima Maria  (good salve to tired sopranos)  SATTB  (Bk. VIII, p. 17)
			Ave, Regina Coelorum  (low alto; gentle ending)  SATTB  (Bk. VIII, p. 11)
			Crudelissima doglia  SATTB  (Bk. III, p. 51)  
			Domine, ne despicias  SATTB  (Bk. VIII, p. 28)
			Madonna, io ben vorrei   SATTB  (Bk. I, p. 20)
			Maria mater gratiae  SATTB  ( Bk. VIII, p. 63)
			Non t'amo  SATTB  (Bk. III, p. 43)
			O dolce mio martire  SATTB  (Bk. I, p. 46)
			O dolorosa gioia  SATTB (Bk V, p. 27)
			O vos omnes  SSATB  (SATTB - down 3rd)  (Sacrae Cantiones VIII, p. 40; the one 				we know)
			Peccantem me  SATTB  Bk. VIII, p. 36  (low alto)
			l.  Poi che l'avida sete  SATTB (Bk. V, p. 67)
			2.  Ma tu, cagion di quella atroce pena  SATTB  (Bk. V, p. 69)
			Sento che nel partire  SATTB  (Bk. II, p. 37)
			1.  Tirsi morir volea  SATTB  (Bk. I, p. 50)
			2.  Freno Tirsi il desio  SATTB  (Bk. I, p. 53 )           				
			Tribulationem et dolorem  SATTB  (Bk. VIII, p. 57)  good warm-up
			Volan quasi farfalle  SATTB (Bk. VI, p. 77)
Gibbons:	Ah dear heart  SATTB (Oxford, p. 20; all have)  "gem"
             		Fair is the Rose  SATTB  good warm-up; all have
			Now each flowery bank of May   SATTB   ( Penguin 5,  p. 52)
			What is our life  SATTB  (Oxford, p. 382; all have)
Goudimel:	Pseaume CIII:   Sus, loues Dieu  (Tom orig; all have)
				4.  SATTB
Jeep:		Nil nostri miserere, mori me denique cogis  SAATB or SATTB  (if SATTB, needs 				high tenor)  (in German!)
Josquin:	# Drei Motetten  (Frank, Kienitz, Ruth, 1 ea)
				III.	De profundis clamavi  SATTB or STTTB
			Missa "De beata virgine" 
				Credo    SATTB  (Das Chorwerk, Frank 6 cc; all have)
Lasso:	1.  Resonet in laudibus  SATTB  (N-131; in clefs; all have)  Christmas
		3.  Magnum nomen Domini  SATTB  (N-133; in clefs; all have)  Christmas
Luzzaschi:	Quivi sospiri  SATTB  (Golden Age, p. 53)  (gentle; needs good intonation)
Marenzio:	Credete voi ch'i viva  SATTB (Madrigali, Nr. 1; all have)
			Cruda Amarilli  SATTB (Madrigali, Nr. 3; all have)
			Deh Tirsi anima mia  SSATB or SATTB  (Ruth orig; all have)
			Fieri silvestre  SAATB or SATTB (Golden Age, p. 65; high)
			Io piango  SATTB (European,  p. 7; Kienitz file; all have)
			Occhi lucenti e belli  SATTB  (Kienitz file; all have)
			Quand'io miro le rose  SATTB  (Madrigali, Nr. 2 ; all have)
			Solo e pensoso   SATTB  (Madrigalisti, Nr. 5, p. 20 all have) 	
Marson:	The nymphs and shepherds danced  SAATB or SATTB  (Oriana No. 6, p. 57)
Micheli:	Quivi sospiri  SATTB  (Kienitz file; all have)
Monte:		Ahi, chi mi rompe il sonno  SATTB  (Popular Italian, p. 36; all have)
Monteverdi:	Bevea Fillide mia     SATTB    (Secondo, p. 15)  
				#  Cruda Amarilli  SATTB  (Ruth file; N104; all have ?)
				Ecco mormorar l'onde  SATTB or SSTTB or SSATB   (Madrigale II, p. 55)
				Fili cara e amata  SATTB  (Ren to Bar II, p. 29;  10 Madrigals, p. 10; all have)
				Lagrime d'Amante al Sepolcro dell'Amata  SSATB or SATTB  (low alto)  all 
						have    and Trans available
				Lasciate mi morire  SSATB  or SATTB   (Madrigale III, p. 18 and  European, 					p. 12, in f minor; Kienitz file, in d minor)
				# Questa ordi il laccio     SATTB   (Primo, p. 46)  
Morley:	# About the Maypole new  SATTB  (Med & Ren, p. 127)
			Arise, awake, awake  SATTB  (Oriana No. 13, p. 136; Ruth file; all have)					# Cruel, wilt thou persever?  SATTB  (Penguin 5, p. 62)
			# False love did me inveigle  SATTB  (Penguin 5, p. 66)
			I love, alas, I love thee  SSATB folder; SATBB or SATTB in Oxford, p. 148; all 					have
			Leave, alas, this tormenting  SATTB  (Oxford, p. 153; Med & Ren, p. 133; all 					have)
			My bonny lass   SATTB   (A Cappella,  p. 16; Oxford, p. 186; all have)
			Now is the month of Maying    SATTB  (A Cappella, p. 12;  Penguin 5, p. 73;
				Oxford, p. 190; all have)
Mundy:	# Were I a king  SATTB  (Penguin 5, p. 76)
Palestrina:	Vestiva i colli  SATTB  (Popular Italian, p. 20; all have) 
Schutz:		Also hat Gott die Welt geliebt  SATTB  (Geistliche, p. 55; all have)  good warm-up
			Viel werden kommen von Morgen und von Abend  SATTB  (Geistliche, p. 29)
			(Also Gesitliche, pp. 1, 5, 35 all SATTB)
Sigismundo d'India:	   Crud' Amarilli  SATTB   (all have)
Tallis:		Deus tuorum militum  SAATB or SSATB or SATTB  (Frank orig, Ruth file, all 					have)
			Illae dum pergunt concite  SATTB or STTTB or STTBB  (16 Cantiones sacrae 					I, 	p.  193; all have) 		
			In manus tuas Domine  SATTB  (16 Cantiones sacrae I, p. 202; all have copy from 				M. Keirstead)			
			O nata Lux de lumine  SATTB  (16 Cantiones sacrae II, p. 209; all have)  "gem"
			Quod chorus vatum  SAATB or SSATB or SATTB  (Frank orig, Ruth file, all 					have)
Weelkes:	1.  O care, thou wilt despatch me  SSATB  or SAATB   (Oxford, p. 192; all have)
			2.  Hence, care  SSATB  or SAATB or SATTB   (Oxford, p. 196; all have)  low alto, 				not warm-up				
Wert:		D'un si bel foco  SATTB  (Popular Italian, p. 47; all have)
White:		Lamentations for Five Voices  SATTB  (Kalmus #6724; all have)




SATBB      

Brahms:	Es ist das Heil uns kommen hier   SATBB (Ruth and Neil files; really needs larger 				group)
			O susser Mai  SATBB (Peters No. 3915, p. 46; all have)  Op. 93a, Nr. 3   Trans
			Schaffe in mir, Gott, ein rein Herz  SATBB (Neil, Ruth, Kienitz  have files; all 					have singles; Peters No. 66134) (3rd section, SAATBB)
			Verlorene Jugend (Brausten alle Berge) SATBB  (Peters No. 3915, p. 66; Ricordi, 				p. 16; all have)    Op. 104, Nr. 4
  			Waldesnacht   SATBB  (good warm-up;  Peters No. 3915, p. 24; all have)  Op. 62, 				Nr. 3     Trans
Byrd:	# When first by force of fatall destenie  SATTB or SATBB  (Med & Ren, p. 121)
Debussy:	Trois Chansons, No. 3.  
				3.  Yver, vous n'estes qu'un villain  SATBB  (all have)
Gallus:		Mirabile mysterium  SATBB or SATTB   (Frank orig; all have)
Gevaert:	# Coletta  SATBB  (A Cappella, p. 131)
Lasso:		Tristis est anima mea  SATBB  (Ruth file; all have)
Marenzio:	S'io parto i'moro  SATBB (low alto, high first bass)   (all have)
Morley:	I love, alas, I love thee  SSATB folder; SATBB or SATTB in Oxford, p. 148   (all 				have)
Tallis:		Mass "Salve Intemerata"  SATBB or STTBB  (very low alto and bass)  (Ruth 5 cc; 				Kienitz 1 cc; Kalmus #6692)

STTTB

Josquin:	# Drei Motetten  (Frank, Kienitz, Ruth, 1 ea)
				III.	De profundis clamavi  SATTB or STTTB
Tallis:		Illae dum pergunt concite  SATTB or STTTB or STTBB  (16 Cantiones sacrae I, 
				p.  193; all have) 		


STTBB

Tallis:		Illae dum pergunt concite  SATTB or STTTB or STTBB  (16 Cantiones sacrae I, 
				p.  193; all have) 		
			Mass:" Salve Intemerata"  SATBB or STTBB  (very low alto and bass)(Ruth 5 cc; 				Kienitz 1 cc; Kalmus #6692)
			#  Salvator Mundi I  STTBB or ATTBB  (See Med & Ren,  p. 104; see also 16 						Cantiones sacrae II, pp. 216 and 219 for Salvator mundi I and II)


ATTBB

Tallis:		Lamentations of Jeremiah
				I.   Incipit lamentatio Jeremiah prophetae   ATTBB  (Kalmus #6696, 							19 Anthems,  p. 102)	
				II.  De lamentatione Jeremiah prophetae   ATTBB  (Kalmus #6696, 
					19 Anthems, p. 110)	
			Salvator Mundi I  STTBB or ATTBB  (See Med & Ren,  p. 104; see also 16 						Cantiones sacrae II, pp. 216 and 219 for Salvator mundi I and II)

l4269\1b7B73b8B148b10B78b8B80b7B605b11B2956b11B5900b11B1206b6B214b8B376b7B

*   Ruth has single copies; not on Music Available List
#  music available, but not yet in our repertoire


6 PARTS																		 6 PARTS

SSSSAA
Anonymous:	# Sumer is icumen in  SSSSAA or TTTTBB or SSATTB with
					rearranging of parts  (Med & Ren, p. 35)



SSSATB

Gesualdo:	Donna, se m'ancidete  SSSATB    (Bk. III, p. 71)  


SSAATB

Bateson:  	Cupid in a bed of roses  SSAATB  (Kienitz file; all have)
Byrd:		Iustorum Dominum  (good warm-up)  SSAATB (Neil)
          		This day Christ was born  (Christmas)  SSAATB  (all have;  also available 						SSATTBB version-- Ruth has single cc)
			Turn our captivity, O Lord  SSAATB   (all have)
Hunt:		Hark!  Did you ever hear?  SSAATB  (Oriana No. 16, p. 161)
Johnson:	Come blessed bird  SSAATB  (Oriana No. 24, p. 251)
Jones:		#  Fair Oriana seeming to wink  SSAATB  (Oriana No. 21, p. 220)
Kirbye:		Sleep now, my muse, and henceforth take thy rest  SSAATB  (Ruth file; all have)
			1.  Up then, Melpomene 
			2.  Why wail we thus?    SSAATB, SSATTB, or SSATBB  (Ruth file; all have)	
Marenzio:	La dove sono i pargoletti amori  SSAATB  (Madrigali, Nr. 6; all have)
Poulenc:	Quem vidistis pastores dicite  SSAATB   (all have)     Christmas
Tomkins:	Oft did I marle how in thine eyes  SSAATB  (Ruth T6 only)
Weelkes:	# Gloria in excelsis  SSAATB  (Frank orig; Ruth & Kienitz, one each)
			Mars in a fury  SSAATB   very martial (Ruth file; all have)
			My Phyllis bids me pack away  SSATTB or SSAATB   (all have)
Wilbye:	Softly, o softly, drop my eyes  SSAATB  "gem"  (Ruth, Kienitz files; all have)


SSAABB

Palestrina:		Missa "Papae Marcelli"  SSAABB or SSATBB  (Ruth 6 cc; Kienitz single)
	

SSATTB      

Anonymous:	# Sumer is icumen in  SSSSAA or TTTTBB or SSATTB with
					rearranging of parts  (Med & Ren, p. 35)
Bassano:  	Dic nobis Maria  SSATTB  not a warm-up    (all have)
Bateson:  	When Oriana walked  SSATTB  (Ruth file; all have)   "unofficial Oriana"
Byrd:		This sweet and merry month of May  SSATTB  (Oxford,  p. 313)  Also SATB 					setting of same text    "backhanded Oriana"  
Claudius:	Der Mond ist aufgegangen  SSATTB (Ruth file; Kienitz single	)
Eccard:		# Vom Leiden Christi  SSATTB  (Chorubungen, p. 88; all have)
Gabrieli, A. :	Sonno diletto e caro  SSATTB (Popular Italian, p. 66)
Gastoldi:	Al Momorar  (not a warm-up)  SSATTB  (all have)
Gesualdo:	Aestimatus sum cum descenditibus in lacum  (Resp. , p. 87)  SSATTB   Trans
			Astiterunt reges  SSATTB  (Resp., p. 85)   Trans
			Caligaverunt oculi mei  SSATTB    (Resp., p. 64) (very low alto;needs tenor)  					"gem"   Trans
			Ecce quomodo moritur justus  SSATTB   (Resp. , p. 82)   Trans
			Jerusalem surge  SSATTB   (Resp. , p. 72)   Trans
			O vos omnes  SSATTB   (Resp., p. 80)   Trans
			Recessit pastor noster  SSATTB  or SSTTTB  (Resp., p. 77)   Trans
			Sepulto Domino  SSATTB  (Resp. , p. 90) Trans
			Tamquam ad latronem  SSATTB  (Resp. , p. 49)   Trans
			Tenebrae factae sunt  SSATTB  (Resp. , p. 51)   Trans
			Tristis est anima mea  SSATTB   (Resp. , p. 13)   Trans
			Velum templi scisum est  SSATTB  or SSTTTB   ( Resp. , p. 44)   Trans
Gesualdo-Stravinsky:	Assumpta est Maria  SSATTB   (Bk. IX, p. 58; all have)
Gibbons:	#  Round about her charret  SSATTB  (Oriana No. 19, p. 199)
Hassler:	Ich scheid vor dir mit Leide  SSATTB  (Peters Nr. 3498, p. 10)
			Mit Tanzen,  Jubilieren  SSATTB  (Peters Nr. 3498, p. 14)
Josquin:	Missa:  "De beata virgine"   (Das Chorwerk, Frank 6 cc; all have)
				Sanctus, Agnus	SSATTB
Kirbye:		1.  Up then, Melpomene
			2.  Why wail we thus?  SSAATB, SSATTB, or SSATBB  (Ruth file; all have)
			#  With angel's face  SSATTB  (Oriana No. 20, p. 210)
Lassus:		S'io esca vivo  SSATTB  (Popular Italian, p. 58; all have)
Lisley:		Fair Cytherea presents her doves  SSATTB  (Oriana No. 22, p. 232)
Marenzio:	Dono Cinzia a Damone  SSATTB  (Madrigali, Nr. 4; all have)
			In un bel bosco  SSATTB or  SAATTB  (all have)
			Interdette speranze e van desio  SSATTB  or SSATBB  (Madrigali, Nr. 5; all have)
			Leggiadre Ninfe  SSATTB (Popular Italian, p. 73; all have)
			O ferre stelle  SSATTB  (very high)  (all have)
Monteverdi:	#  Hor che'l ciel e la terra   SSATTB   (with instruments)  (Frank 9 cc)  Trans 
Morley:	Hard by a crystal fountain  SSATTB  (high)  (Oriana No. 23, p. 238; Oxford, 
				p. 121; all have)
Ramsey:	Sleep, fleshly birth  SSATTB  (Oxford, p. 275; all have)  "gem"
Schutz:		Ein Kind ist uns geboren  SSATTB  (Geistliche, p. 79)  Christmas
			O lieber Herre Gott  SSATTB (Geistliche, p. 57; all have)
			Selig sind die Toten  SSATTB  (Chorubungen, nr. 45;  Geistliche, p. 139; all have)
			Trostet, trostet mein Valk  SSATTB(Geistliche, p. 65; all have)
			(Also Geistliche, pp. 71, 85, 93, 101, 111, 123, 131  SSATTB)
Vautor:		Shepherds and nymphs  SSATTB  (Ruth T6 only)  ("posthumous Oriana")
Ward:		Come, sable night  SSATTB  (high sopranos)  (Oxford, p. 54; all have)
			1.  If the deep sighs of an afflicted breast  SSATTB  (Ruth file; all have)
			2.  There's not a grove  SSATTB  (Ruth file; all have)  high sopranos
			# Weepe forth your teares, and doe lament  SSATTB  (Med & Ren, p. 180)
Weelkes:	As Vesta was from Latmos Hill descending   SSATTB  (Oriana No. 17, p. 175; 					Oxford, p. 27)
			My Phyllis bids me pack away  SSATTB or SSAATB   (all have)
			1.  Thule, the period of Cosmography  SSATTB (Oxford, p. 339; all have)
			2.  The Andalusian Merchant  SSATTB  (Oxford, p. 348; all have)
			When Thoralis delights to walk, the Fairies do attend her  SSATTB or SSTTTB
				(Ruth file; all have)    
Wert:		Adesto dolori meo  SSATTB  "gem"   (all have)
Wilbye:	Cruel behold my heavy ending  SSATTB  (Ruth T6 only; Kienitz 6 cc)
			Draw on, sweet night  SSATTB (Oxford, p. 76; all have)  "gem"
			The Lady Oriana  SSATTB (Ruth, Kienitz, 6 cc ea;  Oriana No. 15, p. 152;  all 					have)   not a warm-up
			1.  Of joys and pleasing pains I late went singing  SSATTB  (Ruth T6 only)
			2.  My throat is sore, my voice is hoarse  SSATTB  (Ruth T6 only)
			Stay, Corydon, thou swain  SSATTB  (Kienitz  and Ruth files; all have)
			When shall my wretched life give way to death  SSATTB  (Ruth T6 only; Kienitz 
				6 cc)




SSATBB

East:	# Poor is the life  SSATBB (Oxford,  p. 229)
		#  1.  Quick, quick, away, dispatch!  SSATBB  (Oxford, p. 235)
		#  2.  No haste but good!  SSATBB  (Oxford, p. 241)
Farmer:	Fair nymphs I heard one telling  SSATBB (Oriana No. 14, p. 144; Oxford, p. 91)
				not a warm-up
Hassler:	Ihr Musici frisch auf!  SSATBB   (all have)
Holst:		I love my love  SSATBB   (all have)
Josquin:	Missa "Da pacem"  (Kalmus #6147; all have)
				III.    Agnus  SSATBB
Kirbye:		1.  Up then, Melpomene
			2.  Why wail we thus?  SSAATB, SSATTB, or SSATBB  (Ruth file; all have)
Marenzio:	Interdette speranze e van desio  SSATTB  or SSATBB   (Madrigali, Nr. 5; all have)
Milton:		Fair Orian  SSATBB  (low alto)  (Oriana No. 18, p. 189)
Palestrina:	Missa "Papae Marcelli"  SSAABB or SSATBB  (Ruth 6 cc; Kienitz single)
			Tu es Petrus   SSATBB  (good show piece)    (Ruth and Kienitz files; all have)
Senfl:		# Mit Lust tret ich an diesen Tanz  SSATBB (European, p. 68)
Vecchi:		The white delightful Swan  SSATBB  (low alto - G; not warm-up)  (all have)
Ward:		# Out from the vale  SSATBB  (Oxford, p. 200)
Weelkes:	Like two proud armies  SSATBB  (all have)
			Say, dear, when will your frowning?  SSATBB (Kienitz  and Ruth file; all  have)

SSTTTB

Gesualdo:	Recessit pastor noster  SSATTB or SSTTTB  (Resp., p. 77)   Trans
			Velum templi scisum est  SSATTB or SSTTTB   (Resp., p. 44)
Weelkes:	When Thoralis delights to walk, the Fairies do attend her  SSATTB or SSTTTB
				(Ruth file; all have)    


SSTTBB

Weelkes:	Cease now delight  SSTTBB     (Kienitz and Ruth files; all have)



SAATTB

Debussy:	Trois Chansons
				2.  Quant j'ai ouy le tabourin  SAATTBB  (can be SAATTB)  (all have)
Josquin:	Veni, Sancte Spiritus  SAATTB  (Frank, Vier Motetten, p. 16;  all have but Neil)
Marenzio:	In un bel bosco  SSATTB  or  SAATTB   (all have)
Victoria:	# O Domine Jesu Christe  SAATTB  (Motets, p. 8)   (all have)
			# Trahe me post te  SAATTB  (Motets, p. 1)   (all have)


SAATBB

Brahms:	Abendstandchen  SAATBB  (good warm-up;  Peters No. 3915, p. 4; all have)
			 	Op. 42, Nr. 1   Trans
			All meine Herzgedanken  SAATBB  (Peters No. 3915, p. 29; all have)  Op. 62, 
				Nr. 5   Trans
			# Darthulas Grabesgesang (Maedchen von Kola, du schlaefst)  SAATBB  (Peters 				No. 3915, p. 12; all have)
			# Der Falke  SAATBB  (Peters No. 3915, p. 50; all have)
			Deutsche Volkslieder
				8.  In stiller Nacht  SAATBB  (Peters No. 3915, p. 88; all have) (alto divides 2 					meas)   Trans
			# Es geht ein Wehen  SAATBB  (Peters No. 3915, p. 33; all have)
			Letztes Glueck (Leblos)  SAATBB  (Peters No. 3915, p. 63;  Ricordi, p. 12; all 						have)  Op. 104,  Nr. 3
			Nachtwache I and II  (need real alto)   Op. 104, Nrs. 1 & 2   Trans
				I.  Leise Toene der Brust  SAATBB  (Peters No. 3915, No. 3915 p. 56; 
					Ricordi, p. 2; all have)
				II.  Ruhn Sie?  SAATBB  (Peters No. 3915, p. 60; Ricordi, p. 8; all have)
			Schaffe in mir, Gott, ein rein Herz  SATBB (Neil, Ruth, Kienitz  have files; 					Peters No. 66134; all have singles) (3rd sect. SAATBB)
			Vineta  SAATBB  (Peters No. 3915, p. 7; all have)  Op. 42, Nr. 2  
Gallus:		Illuminare Jerusalem  SAATBB  (clefs) (N-18; Ruth file; all have)
Josquin:	Baisies-moy  SAATBB  (Kienitz file; all have)  (tenor-killer)	
			# Drei Motetten  (Frank, Kienitz, Ruth, 1 ea)
				II.	1.  O virgo virginum  SAATBB or STTTBB or SATTBB
					2.  Filiae Jerusalem  SAATBB ot STTTBB or SATTBB
			#  Praeter rerum seriem  SAATBB  (Frank, Vier Motetten , p. 23; all have but 					Neil)
Victoria:	Beata es, Virgo Maria   (LI)   (Motets, p. 73; all have)   SAATBB (really SATTBB - 				very low)
Weelkes:	# Death hath deprived mee  SAATBB  (Med & Ren, p. 170)


SATTTB

Gesualdo:	# Ecce vidimus eum  SATTTB  (Resp., p. 16;  Neil's group performed)   Trans
			# In monte Oliveti  SATTTB  (Resp., p. 9; Neil's group performed)   Trans
			# Sicut ovis  SATTTB  (Resp., p. 68; Neil's group performed)   Trans



SATTBB

Brahms:	Deutche Volkslieder
				3.   Bei naechtlicher Weil  SATTBB  (Peters No. 3915, p. 76)
Bruckner:	Virga Jesse  SATTBB  (better with big chorus)  (all have)
Gesualdo-Stravinsky:	#  Da pacem Domine   SATTBB   (Bk. IX, p. 19; Kienitz orig; Ruth 								single copy)
Josquin:	# Drei Motetten   (Frank, Kienitz, Ruth, 1 ea)
				II.	1.  O virgo virginum  SAATBB or STTTBB or SATTBB
					2.  Filiae Jerusalem  SAATBB ot STTTBB or SATTBB
Victoria:	Beata es, Virgo Maria  ( LI)    SAATBB (really SATTBB - very low)  (Motets, 
				p. 73; all have)
White:		Lamentations for Six Voices  SATTBB (Kalmus #6724; all have)


STTTBB

Josquin:	# Drei Motetten   (Frank, Kienitz, Ruth, 1 ea)
				II.	1.  O virgo virginum  SAATBB or STTTBB or SATTBB
					2.  Filiae Jerusalem  SAATBB ot STTTBB or SATTBB
			Tenez moy en vos bras  STTTBB (Anth. of Music, p. 36; all have)  needs 5 men

STTBBB

Josquin:	#  Benedicta es coelorum regina  STTBBB  (Frank orig; Ruth single copy)	


TTTTBB
Anonymous:	# Sumer is icumen in  SSSSAA or TTTTBB or SSATTB with
					rearranging of parts  (Med & Ren, p. 35)




*   Ruth has single copies; not on Music Available List
#  music available, but not yet in our repertoire

7 PARTS																		 7 PARTS

SSA SATB

Bassano:  	Hodie Christus natus est  SSA SATB   (all have)     Christmas

l4269\108b44B112b8B62b9B1212b9B83b15B4465b10B1220b6B256b6B79b6B380b6B1717b6B240b6B614b8B249b9B82b8B116b1B106b44B
SSAATTB

Morley:	Phillis, I fain would die now  SSAATTB   (all have)
Poulenc:	La blanche neige  SSAATTB     (all have)


SSAATBB
	
Poulenc:	Timor et tremor  SSAATBB  (needs work!)   (all have)
Schutz:		Ich weiss, dass mein Erloeser lebt    SSAATBB   (Geistliche, p. 151)
 	

SSATTBB

Brahms:	# Das Maedchen  SSATTBB  (Peters No. 3915, p. 42)
Byrd:		This day Christ was born  (Christmas)  ( Ruth single copy of SSATTBB version)
				Note:  There is also SSAATB version
Tallis:		Gaude gloriosa Dei Mater  SSATTBB  (Kalmus #6696, 19 Anthems, Vol. 						III, p. 123)
			Suscipe quaeso Domine  SSATTBB (16 Cantiones sacrae II, p. 222)

l4269\b7B114b7B147b7B
SAATTBB

Bruckner:	Ave Maria  SAATTBB    (all have)
Debussy:	Trois Chansons, No. 2   (all have)
				2.  Quant j'ai ouy le tabourin  SAATTBB  (can be SAATTB)

SAABBBB

Gesualdo-Stravinsky:	#  Illumina nos  SAABBBB   (Bk. IX, p. 89: Ruth single, Kienitz 								orig)


SATTTBB
Schutz:		Der Engel sprach zu den Hirten  SATTTBB  (Geistliche, p. 167)  Christmas
	

*   Ruth has single copies; not on Music Available List
#  music available, but not yet in our repertoire

8 PARTS																		 8 PARTS

Double Chorus -  SATB SATB

Bach, J. C.:	Ich lasse dich nicht  SATB  SATB  double chorus (Frank 11 cc; all have)
Bach, J. S.:	Der Geist hilft unsrer Schwachheit auf   SATB  SATB  double chorus (Motet II, 
				p. 33)
			Fuerchte dich nicht, ich bin bei dir  SATB  SATB  double chorus  (Motet IV, 
				p. 72)
			Komm, Jesu, komm  SATB  SATB  double chorus  (Motet V, p. 88; Frank and 					Ruth have extra single copies)			
			Singet dem Herrn ein neues Lied   SATB  SATB  double chorus (Motet I, p. 3)
Lasso:		#  O la, o che bon eccho!  SATB SATB double chorus  (Ruth single copy:N125)
Victoria:	Ave Maria  (XLIV)    SATB SATB  double chorus  (Motets, p. 13; all have)


Double Chorus -  SSAB SATB

Palestrina:	# Hodie Christus natus est  (Christmas)  SSAB SATB Double Chorus  (Frank 						orig; Ruth T8; Kienitz single)

SSAATTBB

Brahms:	# Rosmarin  SSAATTBB  (Peters No. 3915, p. 19; all have)
Bruckner:	Os justi meditabitur sapientiam  (Gradual II)  SSAATTBB  (Peters 6315; Ruth, 					Neil, Kienitz)  (not a warm-up)
Casals:		O vos omnes  SSAATTBB  (Ruth file; all have )
Cui:		# Cloud Messengers  SSAATTBB  (A Cappella, p. 160)
			# Radiant stars, above the mountains glowing  SSAATTBB  (A Cappella, p. 165)
Persichetti:	Mass for Mixed Chorus    SSAATTBB    (Ruth 6 cc; all have)
Poulenc:	Exultate Deo  SSAATTBB  (Map out pg. 6 before singing)  (Ruth file; all have)
Toch:		Valse  SSAATTBB


l4269\b7B151b7B103b7B193b62B641b28B125b8B
MISCELLANEOUS												    MISCELLANEOUS

Toch:		Geographical Fugue  SATB  (for speaking chorus)  (all have)
			Valse  SSAATTBB  (for speaking chorus)  (all have)
\b43B
