[ivy]<Satterthwaite>music>musicb!1

Machault: La Messe de Nostre Dame SATB or SABB (Peters WM41) (Ruth 1,
Frank & Kienitz, 2 ea.)
Marenzio: Ahi, dispietata morte! SATB ("gem"; Madrigalisti, Nr. 3, p. 13) (all have)
# Che fa hoggi il mio sole SSATB (N30; all have) (also available as "What doth
my pretty darling?"-- Ruth, 5cc; all singles)
Chi vuol’ udir’ SATB (10 Madrigals, p. 5) (all have)
Credete voi ch’i viva SATTB (Madrigali, Nr. 1) (all have)
Cruda Amarilli SATTB (Madrigali, Nr. 3) (all have)
Crudele acerba SSATB (10 Madrigals, p. 72) (all have)
Cum jucunditate SATB (Meisterwerk, p. 48) (all have)
Deh Tirsi anima mia SSATB or SATTB (Ruth) (all have)
Dissi a l’amata mia lucida stella SATB (Rediscovered, p. 36) (all have) Dono Cinzia a Damone SSATTB (Madrigali, Nr. 4) (all have)
Fieri silvestre SAATB or SATTB (Golden Age, p. 65)
Hodie Christus natus est SATB (Sixth Chester, p. 20; Ruth 4 cc; Kienitz orig)
Christmas
In un bel bosco SSATTB or SAATTB (all have)
In un boschetto SAB (10 Madrigals, p. 1) (all have)
Interdette speranze e van desio SSATTB or SSATBB (Madrigali, Nr. 5) (all have)
Io piango SATTB (European, p. 7; Kienitz file) (all have)
Io son’ amore SAB (10 Madrigals, p. 2) (all have)
La dove sono i pargoletti amori SSAATB (Madrigali, Nr. 6) (all have)
Leggiadre Ninfe SSATTB (Popular Italian, p. 73) (all have)
Liquide perle amor SSATB (Frank 8 orig; Kienitz 6cc; Ruth file; all have)
Ma per me lasso (Ah! Weary am I) SATB (Rediscovered, p. 24) (N.B., part II of Zefiro torno)
# Madonna mia gentil SSATB (N27; all have)
Non al suo amante SSAT (10 Madrigals, p. 24) (all have)
Non vidi mai SATB (10 Madrigals, p. 14) (all have)
O ferre stelle SSATTB (very high) (all have)
O quam gloriosum SATB (Ren to Bar II, p. 79) (all have)
O quam metuendus est locus iste SATB (Das Meisterwerk; all have)
Occhi lucenti e belli SATTB (Kienitz file) (all have)
Quand’io miro le rose SATTB (Madrigali, Nr. 2) (all have)
Qual mormorio soave SSATB (10 Madrigals, p. 54) "gem" (all have)
Scaldav’il sol SSATB or SSTTB (Madrigalisti, Nr. 4, p. 16) "gem" (all have)
Scendi SSATB (Madrigalisti, Nr. 6, p. 28) (all have)
Se la mia vita SATB (10 Madrigals, p. 32 ) gentle, slow (all have)
S’io parto i’moro SATBB (low alto, high first bass) (all have)
Solo e pensoso SATTB (Madrigalisti, Nr. 5, p. 20) (all have)
Spring returns SSATB (A Cappella, p. 136)
Togli, dolce ben mio SSATB (10 Madrigals, p. 47) (all have)
Vergine gloriosa SSATB (10 Madrigals, p. 64) (all have)
Vezzosi augelli SATB (Madrigalisti, Nr. 2, p. 9) (all have)
# What doth my pretty darling? -- see "Che fa hoggi il mio sole" above
Zefiro torno SATB (Madrigalisti, Nr. 1, p. 3) (all have) Trans
Marson: The nymphs and shepherds danced SAATB or SATTB (Oriana No. 6, p. 57) (all have)
Melvill: Calm he rests (ROUND for 3 voices) (Ruth single cc; Kienitz mult ccs)
Death is a long, long sleep (ROUND for 4 voices)
Great Tom is cast (ROUND for 3 voices)
Hear thou my pray’r, O Lord (ROUND for 3 voices)
Hey ho! To the greenwood let us go (ROUND for 4 voices)
Joan, come kiss me now (ROUND for 3 voices)
Jolly shepherd (ROUND for 3 voices)
Musing (ROUND for 4 voices)
Now God be with old Simeon (ROUND for 3 voices)
Sing we now merrily (ROUND for 10 voices)
Thou poor bird (ROUND for 4 voices)
To Portsmouth (ROUND for 4 voices)
What’s i-cumen in? (ROUND for 4 voices)
Mendelssohn: Abschied vom Wald SATB (all have)
Lift thine eyes to the mountains (from Elijah) SSA (Ruth single, Kienitz
3 cc) "gem"
Merulo: Quand’io pens’al martire SAATB (Golden Age, p. 21)
Micheli: Quivi sospiri SATTB (Kienitz file) (all have)
Milton: Fair Orian SSATBB (Oriana No. 18, p. 189) (all have)
O had I wings like to a dove SSATB (high soprano both parts) (all have)
Monte: Ahi, chi mi rompe il sonno SATTB (Popular Italian, p. 36) (all have)
Like as the turtle dove SSATB (good warm-up)(may be filed under De Monte)
(Rediscovered, p. 58) (all have)
On the first day of May SSATB (Kienitz) (all have)
# Verament’ in amore SAATB (Golden Age, p. 40)
Monteverdi: A che tormi il ben mio SSATB (Madrigale I, p. 6) (all have)
Amor per tua merce SSATB (Primo, p. 11)
Amor s’il tuo ferire SAATB (Primo, p. 54) high for sop, ten, bass
Anima mia perdona SSATB (Madrigale I, p. 30) (all have)
Baci, soavi, e cari SSATB (Madrigale III, p. 10; Primo, p. 14) (all have)Bevea Fillide mia SATTB (Secondo, p. 15)
Cantai un tempo SAATB (Secondo, p. 102)
Ch’ami la vita mia SSATB (Madrigale I, p. 3; also in Kienitz file in flats) (all have)
Che se tu se il cor mio SSATB (Madrigale I, p. 33) (all have)
Ch’ io non t’ ami SSATB (Madrigale I, p. 26) (all have)
# Ch’io t’ami SSATB (10 Madrigals, p. 72)
# Cruda Amarilli SATTB (N104; Ruth; all have ? )
Crudel! perche mi fuggi? SSATB (Madrigale III, p. 14; 10 Madrigals, p. 16)
very nice (all have)
# Dolcemente dormiva la mia Clori SSATB (10 Madrigals, p. 22; Ruth T6)
Dolcissimi legami SSATB or SAATB (Secondo, p. 19)
Donna nel mio ritorno SSATB (Secondo, p. 44)
E dicea l’una SSATB (Madrigale I, p. 14) (all have)
Ecco mormorar l’onde SSATB or SSTTB or SATTB (Madrigale II, p. 55) (all have)
Era l’anima mia gia presso SSATB (Madrigale I, p. 40) (all have)
Fili cara e amata SATTB (Ren to Bar II, p. 29; 10 Madrigals, p. 10) (all have)
1. Fumia la pastorella SSATB (Primo, p, 27) high
2. Almo divino raggio SSATB (Primo, p. 29) high
3. All’ hora i pastori tutti SSATB (Primo, p. 32) high
# Hor che’l ciel e la terra SSATTB (with instruments) (Frank 9 cc) Trans
Jo mi son giovinetta SSATB (Madrigale III, p. 20) "gem" (all have)
La bocca onde SSATB or SAATB (Secondo, p. 75)
Lagrime d’Amante al Sepolcro dell’Amata SSATB or SATTB (low alto) (all have) Trans
Lasciate mi morire SSATB or SATTB (Madrigale III, p. 18 and European, p. 12, in f minor; Kienitz file, in d minor) (all have) Trans
Luci serene e chiare SSATB (10 Madrigals, p. 56) (all have)
M’e piu dolce il penar SSATB (Madrigale I, p. 44) (all have)
Messe a quatro voci da cappella SATB (Ruth file; Kienitz and Frank origs)
1. Non si levav’ ancor SSATB (Madrigale I, p. 8) nice (all have)
2. E dicea l’una SSATB (Madrigale I, p. 14) nice (all have)
O com’ e gran martire SSATB or SSSTB (Madrigale I, p. 22) (all have)
O mirtillo SSATB (not warm up - breath control; low alto) (all have)
(Madrigale I, p. 36)
O rossignuol, ch’ in queste verdi SSATB (Madrigale III, p. 36) (all have)
# Oime il bel viso SSATB (10 Madrigals, p. 97)
Piagn’ e sospira SSATB (low women’s parts) (Madrigale II, p. 49) (all have; Frank 2 orig and 10 extra cc)
Poi che del mio dolore SSATB good warm-up (all have)
Quel Augellin che canta si dolcemente SSATB (high; showy; not warm-up)
(10 Madrigals, p. 64; Madrigale III, p. 5) (all have) Trans
S’ andasse amor a caccia SSATB (Madrigale I, p. 18) (all have) good warm-up
Se nel partir da voi SSATB (Madrigale III, p. 26) (all have) good warm-up
Se pur non ti contenti SSATB (Primo, p. 18) high
Sfogava con le stelle SSATB (10 Madrigals, p. 47) (all have)
Si, ch’io vorei morire SSATB (wide range; not warm-up) (Madrigale II, p. 31) (all have) Trans
Vattene pur, crudel SSATB (10 Madrigals, p. 30) "gem"
Zefiro torna SSATB (Madrigale III, p. 29; 10 Madrigals, p. 88) coloratura! (all have) Trans
NOTE: Primo and Secondo references: Kienitz 2cc; Ruth and Frank singles)
# Ardi o gela -- Risposta (Primo, p. 64) (five voices -- to be determined)
# Ardo si ma non t’amo (Primo, p. 61) (five voices -- to be determined)
# Arsi e alsi -- Controrisposta (Primo, p. 67) (five voices -- to be determined)
# Ch’io ami la mia vita (Primo, p. 1) (five voices - to be determined)
# Donna s’io miro voi (Primo, p. 58) (five voices -- to be determined)
# La vaga pastorella (Primo, p. 50) (five voices -- to be determined)# Mentre io miravo fiso (Secondo, p. 58) (five voices -- to be determined)
# Non giacinti o narcisi (Secondo, p. 24) (five voices -- to be determined)
# Non mi e grave (Secondo, p. 92) (five voices -- to be determined)
# Quell’ombra esser (Secondo, p. 49) (five voices -- to be determined)
# Questa ordi il laccio SATTB (Primo, p. 46)
# Questo specchio ti dono (Secondo, p. 87) (five voices -- to be determined)
# Se per havervi oime (Primo, p. 5) (five voices - to be determined)
# Se tu mi lassi (Secondo, p. 65) (five voices -- to be determined)
# Ti sponto l’ali amor (Secondo, p. 97) (five voices -- to be determined)
# Tra mille fiamme (Primo, p, 39) (five voices -- to be determined)
# Tutte le bocche belle (Secondo, p. 39) (five voices -- to be determined)
# Usciam Ninfe homai (Primo, p. 42) (five voices -- to be determined)
Morales: O magnum mysterium SATB or SSTB (Ren to Bar V, p. 42) (all have) Christmas
Morley:# About the Maypole new SATTB (Med & Ren, p. 127)
April is in my mistress’ face SATB (Oxford, p. 24; A Cappella, p. 8;
Penguin 4, p. 83; Ren to Bar III, p. 82) (all have)
Arise, awake, awake SATTB (Oriana No. 13, p. 136; Ruth file; all have) # Cease mine eyes SAT (Med & Ren, p. 139)
# Cruel, wilt thou persever? SATTB (Penguin 5, p. 62)
# Dainty, fine, sweet nymph SSATB (A Cappella, p. 26)
# Die now, my heart SATB (Penguin 4, p. 86)
# Doe you not know SAT (Ruth single)
# False love did me inveigle SATTB (Penguin 5, p. 66)
Fire, fire my heart! SSATB (Oxford, p. 112, key of F;
European, p. 47, key of G) (all have)
Go ye my canzonets SS (Ruth single)
Hard by a crystal fountain SSATTB (high) (Oriana No. 23, p. 238; Oxford,
p. 121) (all have)
Hark, jolly shepherds SATB (all have)
I goe before my darling SS or TT or ST (Med & Ren, p. 145)
I love, alas, I love thee SSATB folder; SATBB or SATTB in Oxford, p. 148 (all have)
It was a lover and his lass SATB (European, p. 53)
Leave, alas, this tormenting SATTB (Oxford, p. 153; Med & Ren, p. 133) (all have)
My bonny lass SATTB (A Cappella, p. 16; Oxford, p. 186) (all have)
Now is the gentle season SATB (good warm-up) (Penguin 4, p. 93) (all have)
Now is the month of Maying SATTB (A Cappella, p. 12; Penguin 5, p. 73;
Oxford, p. 190) (all have)
Phillis, I fain would die now SSAATTB (all have)
# Say, gentle nymphs SATB (Penguin 4, p. 100)
Shoot, false love, I care not SSATB (A Cappella, p. 22)
Sing we and chant it SSATB (Oxford, p. 263; A Cappella, p. 3) (all have)
Though Philomela lost her love SAB (Oxford, p. 330) (all have)
What saith my dainty darling? SSATB (all have)
# Whither away so fast? SAT (Oxford, p. 392)
Why weeps, alas SSATB (not a warm-up) (all have)
Mouton: Ave Maria SATB (all have; Frank 12 cc) good warm-up
Ave sanctissima Maria SATB (Ren to Bar I, p. 41) (all have)
1. In illo tempore Maria Magdalene SATB (very nice) (all have)
2. Dic nobis Maria SATB very nice (all have)
Mozart: Ave, verum corpus SATB (Chorubungen, p. 79; all have)
Mundy: Lightly she whipped o’er the dales SSATB (Oriana No. 2, p. 18; Ruth file) "gem" (all have)
# My prime of youth SATB (Penguin 4, p. 105)
# Were I a king SATTB (Penguin 5, p. 76)
Nelson:# Cause us, O Lord SATB (Ruth, single copy)
Neumeyer: Das Jahr (Wir hassen die Sorgen) SATB (Ruth file; Kienitz single)
Nicolson: Sing, shepherds all SSATB (Oriana No. 9, p. 88) (all but Neil)
Norcome: With angel’s face and brightness SSTTB (Oriana No. 1, p. 9) (all but Neil)
Northumbrian Folk Songs: see Lovell, Whittaker
Obrecht: Missa "Cela sans plus" SATB (all have)
Parce, Domine STB (Capella Meisterwerke, p. 9; all have)
Ockeghem: Alma redemptoris Mater SATB (if raised) (Altniederlaendische) (all have; Frank 12 cc)
Kyrie from Mass "L’Homme arme " SATB (Ren to Bar I, p. 23; also Ruth file)
Kyrie und Christe SATB or STTB (Chorubungen, p. 6; all have)
Missa "Mi-Mi" SATB or STTB (all have)
Ord: Adam lay ybounden (Christmas) SATB (Ruth, single copy)
Othmayr:# Es ist ein Schnee gefallen (This evenfall ’tis snowing) SATB (European, p. 76; English only)
Palestrina: Adoramus te SSAT (Chorubungen, p. 16; all have)
# Alla riva del Tebro SATB (European, p. 3; also Frank 3 cc)
Ave Maria SATB (Motets, Vol VI)
Benedicta sit SATB (Motets, Vol. VI)
Congratulamini mihi SATB (Ren to Bar II, p. 49)
# Dies sanctificatus SATB (Motets, Vol. VI; also Sixth Chester, p. 25; Ruth 4cc, Kienitz orig)
Drei Liebeslieder(Peters 4876)
1. Ovver de’ sensi e priva SSAB
2. Amor, che meco in quest’ ombre ti stavi SSAB
3. Nessun visse giammai piu di me lieto SATB
Hodie beata Virgo SATB (Motets, Vol. VI)
# Hodie Christus natus est (Christmas) SSAB SATB Double Chorus (Ruth T8; Kienitz single; Frank orig)
I vaghi fiori SATB (all have)
Lauda Sion SATB or STTB (Motets, Vol. VI, p. 42; Sacred Chorus, p. 78) (all have)
Loquebantur SATB (Motets, Vol. VI)
Messe "Iste confessor" SATB (all have; Ruth 6cc; Sacred Chorus, p. 29)
Missa "Papae Marcelli" SSAABB or SSATBB (Ruth 6 cc; Kienitz single)
Non son le vostre mani SAATB (Chorubungen, p. 192; all have)
Salvator mundi (Ruth file; all have) PARTS ????????????
Sicut cervus (Psalm 42) SATB (Peters 4882, with Lassus) nice (all have)
# Super flumina SATB (Das Meisterwerke, p. 60; all have)
Tenebrae factae sunt SATB (Kienitz) (all have)
Tu es Petrus SSATBB (good show piece) (all have; Ruth and Kienitz file)
Verbum caro SATB nice (Sacred Chorus, p. 45; Ruth file; all have)
Vestiva i colli SATTB (Popular Italian, p. 20) (all have)
Parry: My soul, there is a country SATB (Gail’s revenge; Ruth and Kienitz file; all have)
Persichetti: Mass for Mixed Chorus SSAATTBB (Ruth 6 cc; all have)
Philippe de Monte:(see Monte)
Pilkington:# Amyntas with his Phyllis fair SATB (Penguin 4, p. 114)
# Have I found her? SATB (Penguin 4, p. 119)
# Palaemon and his Sylvia forth must walk SATB (Penguin 4, p. 124)
Rest, sweet nymphs SATB (A Cappella, p. 72; European, p. 66)
# Sing we, dance we on the green SSATB (Penguin 5, p. 82)
# What though her frowns SATB (Penguin 4, p. 129)
# Why should I grieve SATB (Penguin 4, p. 134)
Porta:# Erasi al sole il mio bel sole assiso SSATB (Golden Age, p. 59)
Poser: Geseng dich Laub SAB or STB 1952; nice; warm-up (Chorubungen, p. 254) (all have)
Poulenc: Exultate Deo SSAATTBB (map out pg. 6 before singing) (Ruth file; all have)
Five Choruses for Women’s Voices SSA (nice; work on these) (Ruth single; Kienitz 3 copies)
1. The good little girl
2. The lost dog
3. Coming home from school
4. The little sick boy
5. The hedge-hog
La blanche neige SSAATTB (all have)
O magnum mysterium SATB (all have)
Quem vidistis pastores dicite SSAATB (all have) (Christmas)
Salve Regina SATB (all have)
Timor et tremor SSAATBB (all have)
Power:# Beata progenies ATB or STB (Med & Ren, p. 49; Frank 1 extra copy)
(aka Leonel)Missa super "Alma redemptoris mater" SAT (Kienitz 4cc; Ruth single; Frank orig ??)
Praetorius: Es ist ein Reis entsprungen (Christmas) SATB (Chorubungen, No. 50) (all have)
O Welt, ich muss dich lassen SATB (Chorubungen, No. 49) (all have)
# Omnis mundus jocundetur SATB (Sixth Chester, p. 30; Ruth 4 cc) Christmas
Three Part Chorales(Ruth file; all have)
1. Wo Gott zum Haus nicht gibt sein Gunst SAT
2. Nun freut euch, liebe Christen gemein SAT
3. Der Tag, der ist so freudenreichSAT or STB or ATB
4. Ich ruf zu dir, Herr Jesu Christ SAT
5. Christe, der du bist Tag und LichtSAT
Purcell: In these delightful, pleasant groves SATB (A Cappella, p. 79)
With drooping wings (from "Dido and Aeneas") SATB (all have)
Pygott: Quid petis o fili SATB (Med. & Ren., p. 71)
Ramsey: Sleep, fleshly birth SSATTB (Oxford, p. 275) "gem" (all have)
Ravel: Trois Chansons (all have)
1. Nicolette SATB (Kienitz orig)
2. Trois beaux oiseaux du Paradis SSATB (Kienitz orig)
3. Ronde (N’allez pez au bois d’Ormode) SATB (Frank orig)
Ravenscroft:# Blow thy horne thou jolly hunter ROUND for 4 (Med & Ren, p. 201)
He that will an ale house keepe ROUND for 3 (Med & Ren, p. 205)
New oysters ROUND for 3 (Med & Ren, p. 199)
# O Lord turne not away Thy face ROUND for 4 (Med & Ren, p. 200)
# Oken leaves ROUND for 3 (Med & Ren, p. 198)
Remember O thou man (Christmas) SATB (Med & Ren, p. 206)
# Wee be three poore mariners AAB or ATT or ATB (Med & Ren, p. 202)
Regnard: Gay little nymph (Petite Nymfe folatre) SATB (A Cappella, p. 115)
# Prope est Dominus SATB (Sixth Chester, p. 32; Ruth 4 cc)
Rivafresca:# Anima mea SATB (Third Chester, p. 26; Ruth 4 cc; Kienitz orig)
Rore: see Cyprian
Rossi: Felice chi mi mira SSATB (Rediscovered, p. 52) (all have)
Rossinus: Lirum bililirum SATB (all have)
Rower: Falala musica 3-part canon (Ruth) (all have)
Rutter: Nativity Carol (Born in a stable so bare) SATB (CCII, p. 16) (Christmas)
Shepherd’s Pipe Carol (Going through the hills on a night all starry) SATB (CCII, p. 39) (Christmas)
Scandellus: see Schoenberg Drei Volksliedsaetze
Scarlatti: Exultate Deo SATB (Kienitz file; Ruth single; no one else wanted)
Schoenberg: Drei Volksliedsaetze (Peters Nr. 4863) (all have)
1. Schein uns, du liebe Sonne SATB (Scandellus)
2. Es gingen zwei Gespielen gut SATB
3. Herzlieblich Lieb, durch Scheiden SATB (15th century melody)
Schroeter:# Allein Gott in der Hoeh sei Ehr SATB (Chorubungen, p. 81; on sheet with
Eccard "Ich lag in tiefer Todesnacht")
Schutz: Also hat Gott die Welt geliebt SATTB (all have) (Geistliche, p. 55) good warm-up
Der Engel sprach zu den Hirten SATTTBB (Geistliche, p. 167) Christmas
Die mit Traenen saen SSATB (low alto) (Frank 9 cc) (all have)(Geistliche, p. 45)
Ein Kind ist uns geboren SSATTB (Geistliche, p. 79) Christmas
Es ist erschienen SSATB (Geistliche, p. 9) Christmas
Ich weiss, dass mein Erloeser lebt SSAATBB (Geistliche, p. 151)
O lieber Herre Gott SSATTB (low alto) (all have) (Geistliche, p. 57)
Selig sind die Toten SSATTB (Chorubungen, nr. 45) (all have) (Geistliche,
p. 139)
So fahr ich hin zu Jesu Christ SSATB (Geistliche, p. 51)
Trostet, trostet mein Valk SSATTB(Neil?) (Geistliche, p. 65)
Unser keiner lebet ihm selber SSATB (Geistliche, p. 25)
1. Verleih uns Frieden genadiglich SSATB (Geistliche, p. 17) (all have)
2. Gib unsern Fuersten SSATB (Geistliche, p. 21)
Viel werden kommen von Morgen und von Abend SATTB (Geistliche, p. 29)
Senfl:# Mit Lust tret ich an diesen Tanz SSATBB (European, p. 68)
Sermisy: see Claude de Sermisy
Sigismundo d’India: Crud’ Amarilli SATTB (all have)
Smith: Concert Madrigals (all have)
1. To a Rose SATB
2. # Lament SATB
3. # A Catch SATB
Stainer:# God so loved the world SSA (Ruth, single copy)
Stanton (arr.):O nightingale SSA (Ruth, Kienitz single copies) (Christmas)
Steffens: Der vierte Teil: Der Wien schmeckt so wunderschoen SSATB (light & fast) (all have)
Stephani:# Der Kuckuck hat sich zu Tod gefalln SSATB (European, p. 85)
Stravinsky: Ave Maria SATB (Frank file 5-7 cc; Kienitz, 5 cc; Ruth, 4cc) (all have)
Sweelinck: Hodie Christus natus est (Christmas) SSATB (Chorubungen Nr. 30; all have)
Tallis:#Agnus Dei ATBB (Med & Ren, p. 98)
Candidi facti sunt SAATB (Ren to Bar III, p. 20; 16 Cantiones sacrae I, p. 186) (all have)
Deus tuorum militum SAATB or SSATB or SATTB (Frank orig, Ruth file, all have)
Gaude gloriosa Dei Mater SSATTBB (Kalmus #6696, 19 Anthems, Vol. III, p. 123)
Illae dum pergunt concite SATTB or STTTB or STTBB (16 Cantiones sacrae I, p. 193) (all have)
In manus tuas Domine SATTB (16 Cantiones sacrae I, p. 202; also all have copy from Mary Keirstead) (all have)
Lamentations of Jeremiah
I. Incipit lamentatio Jeremiah prophetae ATTBB (Kalmus #6696, 19 Anthems, p. 102)
II. De lamentatione Jeremiah prophetae ATTBB (Kalmus #6696,
19 Anthems, p. 110)
Mass:" Salve Intemerata" SATBB or STTBB (very low alto and bass) (Kalmus #6692; Ruth 5 cc, Kienitz 1 cc)
O nata Lux de lumine SATTB (16 Cantiones sacrae II, p. 209) (all have) "gem"
(Christmas)
Quod chorus vatum SAATB or SSATB or SATTB (Frank orig, Ruth file, all have)
#Salvator mundi ATTBB or STTBB (Med & Ren, p. 104) See also Cantiones sacrae II, pp. 216 and 219 for Salvator mundi I and II (all have)
Suscipe quaeso Domine SSATTBB (16 Cantiones sacrae II, p. 222) (all have)
NOTE: Neil, Frank, Mimi, Ruth and Kienitz all have Vol. I, II, and III
Taverner:# Gloria SATB (Med & Ren, p. 90)
Tessier: Au joli bois je m’en vais SATB (A Cappella, p. 126)
Toch: Geographical Fugue SATB for speaking chorus (all have)
Valse SSAATTBB for speaking chorus (all have)
Tomkins:# Come, shepherds, sing with me SSATB (Penguin 5, p. 89)
Music divine SSATB (Oxford, p. 175) (all have)
# Nunc dimittis ATTB or ATBB (Med & Ren, p. 209)
O yes! Has any found a lad? SATB (Oxford, p. 216) unspectacular
Oft did I marle how in thine eyes SSAATB (Ruth T6 only)
See, see the Shepherd’s Queen SSATB (Oxford, p. 248; also folder) (all have)
The fauns and satyrs tripping SSATB (Oriana No. 10, p. 102)
Then David mourned SSATB (Ruth) (all have)
# To the shady woods now wend we SSATB (Penguin 5, p. 98)
Too much I once lamented SSATB (Oxford, p. 358; Ruth file; all have) nice
When David Heard SAATB (all have)
Touront: O gloriosa regina STB (Capella Meisterwerke, p. 7) (all have)
Vaughan Williams: Three Elizabethan Part Songs SATB (all have)
1. Sweet Day
2. The Willow Song
3. O Mistress Mine
Vautor:# Ah sweet, whose beauty passeth all my telling SSATB (Penguin 5, p. 102)
Mother, I will have a husband SSATB (Penguin 5, p. 108; Oxford, p. 168;
Ren to Bar III, p. 54) (all have)
Shepherds and nymphs SSATTB (Ruth T6 only) ("posthumous Oriana")
Sweet Suffolk owl SSATB (Oxford, p. 303) (all have)
Vecchi: Chi vi mira SSATB (nice; singable) "gem" (all have) good warm-up
Dolcissimo Ben Mio SATB (gentle) (all have) good warm-up
Fa una canzone (Sing, sing a song) SATB (all have)
#Fummo felici un tempo SSATB (Golden Age, p. 76)
Gioite tutti SSATB (all have)
# Pastorella graziosella SSATB (Chorubungen, p. 209; Kienitz, Ruth only)
So ben mi ch’a bon tempo SATB (A Cappella, p. 146)
The white delightful Swan SSATBB (low alto - G; not warm-up) (all have)
Verdelot: I vostr’acuti dardi SATB (A Cappella,, p. 121)
Verdonck:# Ave Maria SATB (Sixth Chester, p. 36; Ruth 4 cc)
Victoria: Ave Maria (XLIV) SATB SATB double chorus (Motets, p. 13) (all have)
1. Ave Maria (XLVI) SATB or STTB (Motets, p. 48; Span. Sch., p. 29; Ruth 4
copies; all have)
2. Beati immaculati (XLVII) SATB or STTB (Motets, p. 51) (all have)
Beata es, Virgo Maria (LI) SAATBB (really SATTBB - very low) (Motets, p. 73) (all have)
Beata quoque agmina SATB (Sacred Chorus, p. 47) (all have)
Benedicam Dominum (XLVIII) SATB or SSTB (good warm-up) (Motets, p. 56) (all have)
Ego sum panis vivus (XLIX) SATB (Motets, p. 61) (all have)
Hic vir despiciens mundum SATB (Ren to Bar II, p. 58)
In annuntiatione benissimae Mariae SATB (Ren to Bar V, p. 74) (all have)
Kyrie "Orbis factor" SATB (all have)
# Ne timeas Maria SATB (Sixth Chester, p. 38; Ruth 4 cc) Christmas
O Doctor optime (L) SATB (Motets. p. 68) (all have)
# O Domine Jesu Christe SAATTB (Motets, p. 8) (all have)
O magnum mysterium SATB (Kienitz file; Span Sch, p. 32; Ruth 4 cc; all have)
O quam gloriosum est regnum SATB (all have)
# O vos omnes SATB (Das Meisterwerk; Span Sch, p. 36; Ruth 4 cc; all have) Trans
# Pueri Hebraeorum SATB (Span Sch, p. 38; Ruth 4cc)
Tantum ergo SATB (Sacred Chorus, p. 17) (all have)
# Tantum ergo (Pange lingua) SATB (Das Meisterwerk; all have;
NOT same as Sacred Chorus "Tantum ergo")
Tenebrae Responsories (Ruth file; Kienitz single complete; Ruth single complete)
1. Amicus meus (ii, IV)SATB
2. Iudas mercator pessimus (ii, V)SSAT
3. Unus ex discipulus meis ( ii, VI) SATB
4. Eram quasi agnus (iii, VII)SATB
5. Una hora (iii, VIII)SSAT
6. Seniores populi (iii, IX)SATB
7. Tanquam ad latronem SATB
8. Tenebrae factae sunt SSAT or ATTB or TTTB
9. Animam meam dilectam SATB
10. Tradiderunt me SATB
11. Iesum tradidit impius SSAT
12. Caligaverunt oculi mei (iii, IX)SATB
13. Recessit pastor noster (ii, IV) SATB14. O vos omnes (ii, V)SSAT15. Ecce quomodo moritur (ii, VI)SATB16. Astiterunt reges (iii, VII) SATB17. Aestimatus sum (iii, VIII)SSAT or TTBB18. Sepulto Domino (iii, IX)SATB
# Trahe me post te SAATTB (Motets, p. 1) (all have)
Villiers: Do not complain (Ne te plains tant) SATB (Kienitz file) (all have)
Waelrant:# Hard by a fountain SATB (Ruth, single copy from Kienitz)
Walton: A Litany SATB (Drop, drop, drop slow tears) (all have)
Ward: Come, sable night SSATTB (high sopranos) (Oxford, p. 54) (all have)
1. If the deep sighs of an afflicted breast SSATTB (Ruth file; all have)
2. There’s not a grove SSATTB high sopranos (Ruth file; all have)
# Out from the vale SSATBB (Oxford, p. 200)
# Upon a bank with roses set about SSATB (Penguin 5, p. 116)
# Weepe forth your teares, and doe lament SSATTB (Med & Ren, p. 180)
Weelkes: As Vesta was from Latmos Hill descending SSATTB (Oriana No. 17, p. 175; Oxford, p. 27; all have)
Cease now delight SSTTBB (Kienitz and Ruth files; all have)
Cease sorrows now SAT (Kienitz and Ruth files; all have)
Cold winter’s ice SSATB (Penguin 5, p. 125, key of G; Kienitz file, key of A) (all have)
# Come, sirrah Jack, ho! SAT (Oxford, p. 70; all have)
# Death hath deprived mee SAATBB (Med & Ren, p. 170)
# Gloria in excelsis SSAATB (Frank orig; Ruth & Kienitz, one each)
Grace my lovely ones, fair beauties SSATB ( A Cappella, p. 45)
Hark, all ye lovely saints above SSATB (not a warmup) (Oxford, p. 137; Ren to Bar III, p. 87; European, p. 57) (all have)
In pride of May SSATB (European, p. 61; Ruth T6 only)
Lady, your eye my love enforced SSATB (A Cappella, p. 49)
Like two proud armies SSATBB (all have)
Mars in a fury SSAATB very martial (Ruth file; all have)
My Phyllis bids me pack away SSATTB or SSAATB (all have)
1. O care, thou wilt despatch me SSATB or SAATB (Oxford, p. 192; all have) not a warm-up
2. Hence, care SSATB or SAATB or SATTB low alto, not warm-up (Oxford, p. 196; all have) not a warm-up
On the plains, fairy trains SSATB (Ruth file; all have)
Say, dear, when will your frowning? SSATBB (Kienitz and Ruth file; all have)
# Since Robin Hood SAT (Oxford, p. 256; all have)
Sing we at pleasure SSATB (Oxford, p. 268; Penguin 5, p. 131; all have)
# Strike it up, tabor SST (Oxford, p. 266; all have)
Tan ta ra ran tan tant SSA or TTB (Med & Ren, p. 167)
Thus sings my dearest jewel SSA (Oxford, p. 356; all have)
1. Thule, the period of Cosmography SSATTB (Oxford, p. 339; all have)
2. The Andalusian Merchant SSATTB (Oxford, p. 348; all have)
We shepherds sing SSATB (Ruth T6 only)
When Thoralis delights to walk, the Fairies do attend her (SSATTB) or really SSTTTB (Ruth file; all have)
Wert: Adesto dolori meo SSATTB "gem" (all have)
Ah dolente partita! SSATB (Golden Age, p. 71) high
D’un si bel foco SATTB (Popular Italian, p. 47) (all have)
Un jour je m’en allai SSATB (Chorubungen, p. 239; all have)
White: Lamentations for Five Voices SATTB (Kalmus 6724; all have)
Lamentations for Six Voices SATTBB (Kalmus 6724; all have)
Whittaker: Bobby Shaftoe SATB (Northumbrian Folk Song, Ruth)
The Water of Tyne SATB (Northumbrian Folk Song, Ruth)
Widmann:# Wohlauf, ihr Gaeste SATB (European, p. 80)
Wilbye: Adieu, sweet Amaryllis SATB (Oxford, p. 8; A Cappella, p. 39; Penguin 4, p. 139) (all have)
# Alas, what a wretched life SAATB (N35; Ruth; all have)
Alas, what hope of speeding? SATB (Med & Ren, p. 162)
# As matchless beauty SATB (Penguin 4, p. 143)
Cruel behold my heavy ending SSATTB (Ruth T6 only; Kienitz 6 cc)
1. Down in a valley SSATB (all have)
2 . Hard destinies are love SSATB (nice, melodious, singable) "gem" (all have)
Draw on, sweet night SSATTB (Oxford, p. 76) "gem" (all have)
Flora gave me fairest flowers SSATB (A Cappella, p. 32; Penguin 5, p. 137;
Oxford, p. 101) not warm-up (all have)
Fly not so swift SATB (low alto) (all have)
The Lady Oriana SSATTB (Oriana No. 15, p. 151; Ruth and Kienitz, 6 cc each;all have) (not a warm-up)
Lady, when I behold the roses SATB or SSTB (Penguin 4, p. 149; Oxford,
p. 142; all have) good warm-up
Love me not for comely grace SATB (all have)
O what shall I do SST or SAT (Oxford, p. 210) not a warm-up (all have)
1. Of joys and pleasing pains I late went singing SSATTB (Ruth T6 only)
2. My throat is sore, my voice is hoarse SSATTB (Ruth T6 only)
# Oft have I vowed SSATB (Penguin 5, p. 143)
Softly, o softly, drop my eyes SSAATB "gem" (Ruth, Kienitz files; all have)
Stay, Corydon, thou swain SSATTB (Kienitz and Ruth file; all have)
1. Sweet honey-sucking bees SSATB (Oxford, p. 288; better edition in folder) (all have)
2. Yet, sweet, take heed SSATB (Oxford, p. 295) (all have)
Thus love commands SSATB or SSAAB or SSTTB (Kienitz) (all have)
Thus saith my Cloris bright SATB (Med & Ren, p. 157; Penguin 4, p. 154)
Weep, weep, weep, mine eyes SAATB (Anthology of Music; Penguin 5, p. 152;
Oxford, p. 376) "gem" (all have)
What needeth all this travail? SATB (Ruth T6 only)
# When Cloris heard SATB (Ruth; all have)
When shall my wretched life give way to death SSATTB (Ruth T6 only; Kienitz
6 cc)
Willaert: Amor mi fa morire SAAT (Popular Italian, p. 2) (all have)
Wolters: Still, still, still, weils Kindlein schlafen will (Christmas) SSATB (Ruth file) (all have)