Machault:	La Messe de Nostre Dame  SATB  or SABB   (Peters WM41)  (Ruth 1, 
				Frank & Kienitz, 2 ea.)
    
Marenzio:	Ahi, dispietata morte!   SATB  ("gem"; Madrigalisti, Nr. 3, p. 13)  (all have)
			#  Che fa hoggi il mio sole  SSATB  (N30; all have)  (also available as "What doth 
				my pretty darling?"-- Ruth, 5cc; all singles)
			Chi vuol' udir'   SATB  (10 Madrigals, p. 5)  (all have)
			Credete voi ch'i viva  SATTB (Madrigali, Nr. 1)  (all have)
			Cruda Amarilli  SATTB (Madrigali, Nr. 3)  (all have)
			Crudele acerba  SSATB  (10 Madrigals, p. 72)  (all have)
			Cum jucunditate  SATB  (Meisterwerk, p. 48)  (all have)
			Deh Tirsi anima mia  SSATB or SATTB  (Ruth)  (all have)
			Dissi a l'amata mia lucida stella   SATB  (Rediscovered, p. 36)   (all have) 					Dono Cinzia a Damone  SSATTB  (Madrigali, Nr. 4)  (all have)
			Fieri silvestre  SAATB or SATTB (Golden Age, p. 65)
			Hodie Christus natus est  SATB  (Sixth Chester, p. 20;  Ruth 4 cc; Kienitz orig)   
				Christmas
			In un bel bosco  SSATTB   or  SAATTB   (all have)
			In un boschetto   SAB  (10 Madrigals, p. 1)  (all have)
			Interdette speranze e van desio  SSATTB  or SSATBB   (Madrigali, Nr. 5)  (all 					have)
			Io piango  SATTB (European, p. 7; Kienitz file)  (all have)
			Io son' amore  SAB  (10 Madrigals, p. 2)  (all have)
			La dove sono i pargoletti amori  SSAATB  (Madrigali, Nr. 6)  (all have)
			Leggiadre Ninfe  SSATTB (Popular Italian, p. 73)  (all have)
			Liquide perle amor  SSATB  (Frank 8 orig; Kienitz 6cc; Ruth file; all have)
			Ma per me lasso  (Ah! Weary am I)  SATB  (Rediscovered, p. 24)  (N.B., part II of 				Zefiro torno)
			#  Madonna mia gentil  SSATB  (N27; all have)
			Non al suo amante  SSAT  (10 Madrigals, p. 24)  (all have)
			Non vidi mai   SATB  (10 Madrigals, p. 14)  (all have)
			O ferre stelle  SSATTB  (very high)  (all have)
			O quam gloriosum  SATB  (Ren to Bar II, p. 79)  (all have)
			O quam metuendus est locus iste  SATB  (Das Meisterwerk; all have)
			Occhi lucenti e belli  SATTB  (Kienitz file)  (all have)
			Quand'io miro le rose  SATTB  (Madrigali, Nr. 2)  (all have)
			Qual mormorio soave  SSATB  (10 Madrigals, p. 54) "gem"  (all have)
			Scaldav'il sol  SSATB or SSTTB  (Madrigalisti, Nr. 4, p. 16)   "gem"  (all have)
			Scendi  SSATB  (Madrigalisti, Nr. 6, p. 28)  (all have)
			Se la mia vita  SATB   (10 Madrigals, p. 32 ) gentle, slow  (all have)
			S'io parto i'moro  SATBB (low alto, high first bass)  (all have)
			Solo e  pensoso   SATTB  (Madrigalisti, Nr. 5, p. 20)  (all have)
			Spring returns   SSATB   (A Cappella,  p. 136)
			Togli, dolce ben mio  SSATB  (10 Madrigals, p. 47)  (all have)
			Vergine gloriosa   SSATB  (10 Madrigals, p. 64)  (all have)
			Vezzosi augelli  SATB  (Madrigalisti, Nr. 2, p. 9)  (all have)
			#  What doth my pretty darling?  -- see "Che fa hoggi il mio  sole" above
			Zefiro torno   SATB  (Madrigalisti, Nr. 1, 	p. 3)  (all have)   Trans

Marson:	The nymphs and shepherds danced  SAATB or SATTB  (Oriana No. 6, p. 57)  (all 				have)

Melvill:		Calm he rests  (ROUND for 3 voices)      		(Ruth single cc; Kienitz  mult ccs)
			Death is a long, long sleep  (ROUND for 4 voices)
			Great Tom is cast  (ROUND for 3 voices)
			Hear thou my pray'r, O Lord  (ROUND for 3 voices)
			Hey ho! To the greenwood let us go  (ROUND for 4 voices)
			Joan, come kiss me now  (ROUND for 3 voices)
			Jolly shepherd  (ROUND for 3 voices)
			Musing  (ROUND for 4 voices)
			Now God be with old Simeon  (ROUND for 3 voices)
			Sing we now merrily  (ROUND for 10 voices)
			Thou poor bird  (ROUND for 4 voices)
			To Portsmouth  (ROUND for 4 voices)
			What's i-cumen in?  (ROUND for 4 voices)


Mendelssohn:	Abschied vom Wald  SATB  (all have)
				Lift thine eyes to the mountains  (from Elijah)  SSA   (Ruth single, Kienitz 
					3 cc)  "gem"

Merulo:	Quand'io pens'al martire  SAATB  (Golden Age, p. 21)

Micheli:	Quivi sospiri  SATTB  (Kienitz file)  (all have)

Milton:		Fair Orian  SSATBB  (Oriana No. 18, p. 189)  (all have)
			O had I wings like to a dove  SSATB  (high soprano both parts)  (all have)

Monte:		Ahi, chi mi rompe il sonno  SATTB  (Popular Italian, p. 36)  (all have)
			Like as the turtle dove  SSATB  (good warm-up)(may be filed under De Monte)
				(Rediscovered, p. 58)  (all have)
			On the first day of May  SSATB  (Kienitz)  (all have)
			# Verament' in amore  SAATB  (Golden Age, p. 40)

Monteverdi:	A che tormi il ben mio  SSATB  (Madrigale I, p. 6)  (all have)
				Amor per tua merce   SSATB   (Primo, p. 11)  
				Amor s'il tuo ferire    SAATB   (Primo, p. 54)  high for sop, ten, bass
				Anima mia perdona  SSATB  (Madrigale I, p. 30)  (all have)
				Baci, soavi, e cari  SSATB (Madrigale III, p. 10;  Primo, p. 14)  (all have)					Bevea Fillide mia    SATTB   (Secondo, p. 15)  				
				Cantai un tempo   SAATB    (Secondo, p. 102)  
				Ch'ami la vita mia  SSATB  (Madrigale I, p. 3; also in Kienitz file in flats)  (all 					have)
				Che se tu se il cor mio  SSATB  (Madrigale I, p. 33)  (all have)
				Ch' io non t' ami  SSATB  (Madrigale I, p. 26)  (all have)
				#  Ch'io t'ami  SSATB  (10 Madrigals, p. 72) 
				#  Cruda Amarilli  SATTB  (N104; Ruth; all have ? ) 
				Crudel! perche mi fuggi?  SSATB  (Madrigale III, p. 14; 10 Madrigals, p. 16)
				   very nice  (all have)
				#  Dolcemente dormiva la mia Clori  SSATB  (10 Madrigals, p. 22;  Ruth T6)
				Dolcissimi legami     SSATB or SAATB    (Secondo, p. 19)  
				Donna nel mio ritorno    SSATB   (Secondo, p. 44)  
				E dicea l'una  SSATB  (Madrigale I, p. 14)  (all have)
				Ecco mormorar l'onde  SSATB or SSTTB or SATTB  (Madrigale II, p. 55)  (all 					have)
				Era l'anima mia gia presso  SSATB  (Madrigale I, p. 40)  (all have)
				Fili cara e amata  SATTB  (Ren to Bar II, p. 29;  10 Madrigals, p. 10)  (all 						have)
				1.  Fumia la pastorella    SSATB  (Primo, p, 27)  high
				2.  Almo divino raggio    SSATB  (Primo, p. 29)  high
				3.  All' hora i pastori tutti    SSATB  (Primo, p. 32)  high
				#  Hor che'l ciel e la terra   SSATTB   (with instruments)  (Frank 9 cc)  Trans    
				Jo mi son giovinetta  SSATB  (Madrigale III, p. 20)  "gem"  (all have)
				La bocca onde    SSATB  or  SAATB   (Secondo, p. 75)  
				Lagrime d'Amante al Sepolcro dell'Amata  SSATB or SATTB  (low alto)  (all 					have)   Trans
				 Lasciate mi morire  SSATB  or SATTB   (Madrigale III, p. 18 and  European, 					p. 12, in f minor; Kienitz file, in d minor)  (all have)   Trans
				Luci serene e chiare  SSATB  (10 Madrigals, p. 56)  (all have)
				M'e piu dolce il penar  SSATB  (Madrigale I, p. 44)  (all have)
				Messe a quatro voci da cappella  SATB  (Ruth file;  Kienitz and Frank origs)
				1.  Non si levav' ancor  SSATB  (Madrigale I, p. 8) nice  (all have)
				2.  E dicea l'una  SSATB  (Madrigale I, p. 14)   nice   (all have)
				O com' e gran martire  SSATB  or SSSTB  (Madrigale I, p. 22)  (all have)
				O mirtillo  SSATB  (not warm up - breath control; low alto)  (all have)
					(Madrigale I, p. 36)
				O rossignuol, ch' in queste verdi  SSATB  (Madrigale III, p. 36)  (all have)
				#  Oime il bel viso  SSATB  (10 Madrigals, p. 97)
				Piagn' e sospira  SSATB  (low women's parts) (Madrigale II, p. 49)  (all have;  					Frank 2 orig and 10 extra cc)
				Poi che del mio dolore  SSATB    good warm-up   (all have)
				Quel Augellin che canta si dolcemente  SSATB  (high; showy; not warm-up)
					(10 Madrigals, p. 64;  Madrigale III, p. 5)  (all have)   Trans
				S' andasse amor a caccia  SSATB  (Madrigale I, p. 18)  (all have)  good warm-					up
				Se nel partir da voi  SSATB  (Madrigale III, p. 26)  (all have)   good warm-up
				Se pur non ti contenti   SSATB    (Primo, p. 18)   high
				Sfogava con le stelle  SSATB (10 Madrigals, p. 47)  (all have)
				Si, ch'io vorei morire  SSATB  (wide range; not warm-up) (Madrigale II, p. 31)  					(all have)   Trans
				Vattene pur, crudel  SSATB  (10 Madrigals, p. 30)  "gem"
				Zefiro torna  SSATB  (Madrigale III, p. 29; 10 Madrigals, p. 88)  coloratura! 					(all have)   Trans

NOTE:  Primo and Secondo references:  Kienitz 2cc; Ruth and Frank singles)


				# Ardi o gela -- Risposta  (Primo, p. 64)  (five voices -- to be determined)
				# Ardo si ma non t'amo  (Primo, p. 61)  (five voices -- to be determined)
				# Arsi e alsi -- Controrisposta  (Primo, p. 67)  (five voices -- to be determined)
				# Ch'io ami la mia vita  (Primo, p. 1)  (five voices - to be determined)
				# Donna s'io miro voi  (Primo, p. 58)  (five voices -- to be determined)
				# La vaga pastorella  (Primo, p. 50)  (five voices -- to be determined)						# Mentre io miravo fiso  (Secondo, p. 58)  (five voices -- to be determined)
				# Non giacinti o narcisi  (Secondo, p. 24)  (five voices -- to be determined)
				# Non mi e grave  (Secondo, p. 92)  (five voices -- to be determined)
				# Quell'ombra esser  (Secondo, p. 49)  (five voices -- to be determined)
				# Questa ordi il laccio   SATTB   (Primo, p. 46)  			
				# Questo specchio ti dono  (Secondo, p. 87)  (five voices -- to be determined)
				# Se per havervi oime  (Primo, p. 5) (five voices - to be determined)
				# Se tu mi lassi  (Secondo, p. 65)  (five voices -- to be determined)
				# Ti sponto l'ali amor  (Secondo, p. 97)  (five voices -- to be determined)
				# Tra mille fiamme  (Primo, p, 39)  (five voices -- to be determined)
				# Tutte le bocche belle  (Secondo, p. 39)  (five voices -- to be determined)
				# Usciam Ninfe homai  (Primo, p. 42)  (five voices -- to be determined)
						
Morales:	O magnum mysterium  SATB  or SSTB  (Ren to Bar V, p. 42)  (all have)  						Christmas

Morley:	# About the Maypole new  SATTB  (Med & Ren, p. 127)
			April is in my mistress' face  SATB  (Oxford, p. 24; A Cappella, p. 8;
				Penguin 4, p. 83; Ren to Bar III, p. 82)  (all have)
			Arise, awake, awake  SATTB  (Oriana No. 13, p. 136; Ruth file; all have) 					# Cease mine eyes  SAT  (Med & Ren, p. 139)
			# Cruel, wilt thou persever?  SATTB  (Penguin 5, p. 62)
			# Dainty, fine, sweet nymph  SSATB  (A Cappella, p. 26)
			# Die now, my heart  SATB  (Penguin 4,  p. 86)
			#  Doe you not know     SAT     (Ruth single)
			# False love did me inveigle  SATTB  (Penguin 5, p. 66)
			Fire, fire my heart!  SSATB (Oxford, p. 112, key of F; 
				European, p. 47, key of G)   (all have)
			Go ye my canzonets  SS   (Ruth single)
			Hard by a crystal fountain  SSATTB  (high)  (Oriana No. 23, p. 238;  Oxford, 
				p. 121)  (all have)
			Hark, jolly shepherds  SATB  (all have)
			I goe before my darling  SS or TT or ST    (Med & Ren, p. 145)
			I love, alas, I love thee  SSATB folder; SATBB or SATTB in Oxford, p. 148  (all 				have)
			It was a lover and his lass SATB (European,  p. 53)
			Leave, alas, this tormenting  SATTB  (Oxford, p. 153; Med & Ren, p. 133)  (all 					have)
			My bonny lass   SATTB   (A Cappella,  p. 16; Oxford, p. 186)  (all have)
			Now is the gentle season  SATB  (good warm-up)  (Penguin 4, p. 93)  (all have)
			Now is the month of Maying    SATTB  (A Cappella, p. 12;  Penguin 5, p. 73;
				Oxford, p. 190)   (all have)
			Phillis, I fain would die now  SSAATTB  (all have)
			# Say, gentle nymphs  SATB  (Penguin 4,  p.  100)
			Shoot, false love, I care not  SSATB  (A Cappella, p. 22)
			Sing we and chant it  SSATB  (Oxford, p. 263; A Cappella, p. 3)  (all have)
			Though Philomela lost her love  SAB  (Oxford, p. 330)  (all have)
			What saith my dainty darling?  SSATB  (all have)
			# Whither away so fast?  SAT  (Oxford, p. 392)
			Why weeps, alas  SSATB  (not a warm-up)  (all have)

Mouton:	Ave Maria  SATB  (all have;  Frank 12 cc)  good warm-up
			Ave sanctissima Maria  SATB  (Ren to Bar I, p. 41)  (all have)
			1.  In illo tempore Maria Magdalene  SATB  (very nice)  (all have)
			2.  Dic nobis Maria  SATB    very nice  (all have)

Mozart:	Ave, verum corpus  SATB  (Chorubungen, p. 79; all have)

Mundy:	Lightly she whipped o'er the dales  SSATB  (Oriana No. 2, p. 18;  Ruth file)  					"gem"  (all have)
			# My prime of youth  SATB  (Penguin 4,  p. 105)
			# Were I a king  SATTB  (Penguin 5, p. 76)

Nelson:		#  Cause us, O Lord  SATB  (Ruth, single copy)

Neumeyer:  Das Jahr (Wir hassen die Sorgen)  SATB   (Ruth file; Kienitz  single)

Nicolson:	Sing, shepherds all  SSATB  (Oriana No. 9, p. 88)  (all but Neil)

Norcome:	With  angel's face and brightness  SSTTB  (Oriana No. 1, p. 9)  (all but Neil)

Northumbrian Folk Songs:	see Lovell, Whittaker 

Obrecht:	Missa "Cela sans plus"  SATB  (all have)
			Parce, Domine  STB  (Capella Meisterwerke, p. 9;  all have)

Ockeghem:	 Alma redemptoris Mater  SATB (if raised)  (Altniederlaendische)  (all have; 					Frank 12 cc)
			Kyrie from Mass "L'Homme arme "  SATB  (Ren to Bar I, p. 23; also Ruth file)
			Kyrie und Christe  SATB or STTB  (Chorubungen, p. 6; all have)
			Missa "Mi-Mi"  SATB   or  STTB   (all have)

Ord:		Adam lay ybounden  (Christmas)  SATB  (Ruth, single copy)

Othmayr:	# Es ist ein Schnee gefallen (This evenfall 'tis snowing) SATB (European,  p. 76; 						English only)

Palestrina:	Adoramus te  SSAT  (Chorubungen, p. 16;  all have)
			# Alla riva del Tebro  SATB (European, p. 3; also Frank 3 cc)
			Ave Maria  SATB  (Motets, Vol VI)
			Benedicta sit  SATB (Motets, Vol. VI)
			Congratulamini mihi  SATB  (Ren to Bar II, p. 49)
			#  Dies sanctificatus  SATB  (Motets, Vol. VI; also Sixth Chester, p. 25;  Ruth 4cc, 					Kienitz orig)
			Drei Liebeslieder	(Peters 4876)
				1.  Ovver de' sensi e priva  SSAB
				2.  Amor, che meco in quest' ombre ti stavi  SSAB
				3.  Nessun visse giammai piu di me lieto     SATB 		
			Hodie beata Virgo  SATB  (Motets, Vol. VI)
			# Hodie Christus natus est  (Christmas)  SSAB SATB Double Chorus  (Ruth T8; 				Kienitz single; Frank orig)
			I vaghi fiori  SATB  (all have)
			Lauda Sion  SATB or STTB  (Motets, Vol. VI, p. 42; Sacred Chorus, p. 78)  (all 					have)
			Loquebantur  SATB  (Motets, Vol. VI)
			Messe "Iste confessor"  SATB  (all have; Ruth 6cc; Sacred Chorus, p. 29)
			Missa "Papae Marcelli"  SSAABB or SSATBB  (Ruth 6 cc;  Kienitz single)
			Non son le vostre mani  SAATB  (Chorubungen, p. 192; all have)
			Salvator mundi  (Ruth file; all have)      			PARTS ????????????		
			Sicut cervus  (Psalm 42)   SATB  (Peters 4882, with Lassus)  nice (all have)
			# Super flumina  SATB  (Das Meisterwerke, p. 60; all have)
			Tenebrae factae sunt  SATB  (Kienitz)  (all have)
			Tu es Petrus   SSATBB  (good show piece)  (all have; Ruth and Kienitz file)
			Verbum caro  SATB  nice  (Sacred Chorus, p. 45; Ruth file; all have)
			Vestiva i colli  SATTB  (Popular Italian, p. 20)  (all have)

Parry:		My soul, there is a country  SATB  (Gail's revenge; Ruth and Kienitz file; all have)
  
Persichetti:	Mass for Mixed Chorus  SSAATTBB  (Ruth 6 cc; all have)

Philippe de Monte:	(see Monte)

Pilkington:	# Amyntas with his Phyllis fair  SATB  (Penguin 4, p. 114)
			# Have I found her?  SATB  (Penguin 4, p. 119)
			# Palaemon and his Sylvia forth must walk  SATB  (Penguin 4, p. 124)
			Rest, sweet nymphs  SATB  (A Cappella, p. 72; European, p. 66)
			# Sing we, dance we on the green  SSATB  (Penguin 5, p. 82)
			# What though her frowns  SATB  (Penguin 4, p. 129)
			# Why should I grieve  SATB  (Penguin 4, p. 134)

Porta:	# Erasi al sole il mio bel sole assiso  SSATB  (Golden Age, p. 59)

Poser:		Geseng dich Laub  SAB  or STB   1952; nice; warm-up (Chorubungen, p. 254)  (all 				have)

Poulenc:	Exultate Deo  SSAATTBB  (map out pg. 6 before singing) (Ruth file; all have)
			Five Choruses for Women's Voices  SSA    (nice; work on these)  (Ruth single; 						Kienitz 3 copies)
				1.  The good little girl
				2.  The lost dog
				3.  Coming home from school
				4.  The little sick boy
				5.  The hedge-hog
			La blanche neige  SSAATTB     (all have)
			O magnum mysterium  SATB   (all have)
			Quem vidistis pastores dicite  SSAATB   (all have)    (Christmas)
			Salve Regina  SATB   (all have)
			Timor et tremor  SSAATBB     (all have)

Power:			# Beata progenies  ATB or STB  (Med & Ren, p. 49; Frank 1 extra copy)
(aka Leonel)	Missa super "Alma redemptoris mater"  SAT  (Kienitz 4cc; Ruth single; 						Frank orig ??)

Praetorius:	Es ist ein Reis entsprungen  (Christmas)  SATB  (Chorubungen, No. 50)   (all 					have)
			O Welt, ich muss dich lassen  SATB  (Chorubungen, No. 49)   (all have)
			#  Omnis mundus jocundetur  SATB  (Sixth Chester, p. 30; Ruth 4 cc)  Christmas
			Three Part Chorales		(Ruth file; all have)
				1.  Wo Gott zum Haus nicht gibt sein Gunst     SAT
				2.  Nun freut euch, liebe Christen gemein		  SAT
				3.  Der Tag, der ist so freudenreich	SAT or STB or ATB
				4.  Ich ruf zu dir, Herr Jesu Christ 	SAT
				5.  Christe, der du bist Tag und Licht		SAT

Purcell:		In these delightful, pleasant groves  SATB  (A Cappella, p. 79)
			With drooping wings (from "Dido and Aeneas")  SATB  (all have)

Pygott:		Quid petis o fili  SATB  (Med. & Ren.,  p.  71)

Ramsey:	Sleep, fleshly birth  SSATTB  (Oxford, p. 275)  "gem"  (all have)

Ravel:		Trois Chansons      (all have)
				1.  Nicolette  SATB  (Kienitz orig)
				2.  Trois beaux oiseaux du Paradis  SSATB  (Kienitz orig)
				3. Ronde (N'allez pez au bois d'Ormode)  SATB (Frank orig)

Ravenscroft:	# Blow thy horne thou jolly hunter  ROUND for 4  (Med & Ren, p. 201)
				He that will an ale house keepe  ROUND for 3  (Med & Ren, p. 205)
				New oysters  ROUND for 3  (Med & Ren, p. 199)
				# 	O Lord turne not away Thy face  ROUND for 4  (Med & Ren, p. 200)
				# Oken leaves  ROUND for 3  (Med & Ren, p. 198)
				Remember O thou man (Christmas)  SATB  (Med & Ren, p. 206)
				# Wee be three poore mariners  AAB or ATT or ATB  (Med & Ren, p. 202)

Regnard:	Gay little nymph (Petite Nymfe folatre)  SATB  (A Cappella, p. 115)
			#  Prope est Dominus   SATB  (Sixth Chester, p. 32; Ruth 4 cc)

Rivafresca:	#  Anima mea  SATB  (Third Chester, p. 26; Ruth 4 cc; Kienitz orig)

Rore:		see Cyprian

Rossi:		Felice chi mi mira  SSATB  (Rediscovered, p. 52)  (all have)

Rossinus:	Lirum bililirum  SATB  (all have)

Rower:		Falala musica   3-part canon  (Ruth)  (all have)

Rutter:		Nativity Carol  (Born in a stable so bare)  SATB  (CCII, p. 16)  (Christmas)
			Shepherd's Pipe Carol  (Going through the hills on a night all starry)    SATB   					(CCII, p. 39)  (Christmas)

Scandellus:	see Schoenberg Drei Volksliedsaetze 

Scarlatti:	Exultate Deo  SATB  (Kienitz file; Ruth single; no one else wanted)

Schoenberg:	Drei Volksliedsaetze  (Peters Nr. 4863)  (all have)
					1.  Schein uns, du liebe Sonne  SATB  (Scandellus)
					2.  Es gingen zwei Gespielen gut  SATB
					3. Herzlieblich Lieb, durch Scheiden  SATB  (15th century melody)

Schroeter:	#  Allein Gott in der Hoeh sei Ehr  SATB  (Chorubungen, p. 81; on sheet with 
				Eccard "Ich lag in tiefer Todesnacht")

Schutz:		Also hat Gott die Welt geliebt  SATTB       (all have)   (Geistliche, p. 55)    good 					warm-up
			Der Engel sprach zu den Hirten  SATTTBB  (Geistliche, p. 167)  Christmas
			Die mit Traenen saen  SSATB (low alto) (Frank 9 cc)  (all have)(Geistliche, p. 45)
			Ein Kind ist uns geboren  SSATTB  (Geistliche, p. 79)  Christmas
			Es ist erschienen   SSATB  (Geistliche, p. 9)  Christmas
			Ich weiss, dass mein Erloeser lebt    SSAATBB   (Geistliche, p. 151)
			O lieber Herre Gott  SSATTB (low alto)  (all have)  (Geistliche, p. 57)
			Selig sind die Toten  SSATTB  (Chorubungen, nr. 45)  (all have)  (Geistliche, 
				p. 139)
			So fahr ich hin zu Jesu Christ   SSATB  (Geistliche, p. 51)
			Trostet, trostet mein Valk  SSATTB(Neil?)  (Geistliche, p. 65)
			Unser keiner lebet ihm selber  SSATB  (Geistliche, p. 25)
			1.  Verleih uns Frieden  genadiglich    SSATB  (Geistliche, p. 17)  (all have)
			2.  Gib unsern Fuersten  SSATB  (Geistliche, p. 21)
			Viel werden kommen von Morgen und von Abend  SATTB  (Geistliche, p. 29)
			
Senfl:		# Mit Lust tret ich an diesen Tanz  SSATBB (European, p. 68)

Sermisy:	see Claude de Sermisy

Sigismundo d'India:	   Crud' Amarilli  SATTB  (all have)

Smith:		Concert Madrigals  (all have)
					1.  To a Rose  SATB
					2.  # Lament  SATB
					3.  # A Catch  SATB

Stainer:		#  God so loved the world  SSA  (Ruth, single copy)

Stanton (arr.):	O nightingale   SSA  (Ruth, Kienitz single copies)  (Christmas)

Steffens:	Der vierte Teil: Der Wien schmeckt so wunderschoen  SSATB  (light & fast)  (all 				have)

Stephani:	# Der Kuckuck hat sich zu Tod gefalln  SSATB (European, p. 85)

Stravinsky:	Ave Maria  SATB (Frank file 5-7 cc; Kienitz, 5 cc; Ruth, 4cc)  (all have)

Sweelinck:	Hodie Christus natus est  (Christmas)  SSATB     (Chorubungen Nr. 30;  all have)

Tallis:		#Agnus Dei  ATBB  (Med & Ren, p. 98)
			Candidi facti sunt  SAATB  (Ren to Bar III, p. 20;  16 Cantiones sacrae I, p. 186)  				(all have)
			Deus tuorum militum  SAATB or SSATB or SATTB  (Frank orig, Ruth file, all 					have)
			Gaude gloriosa Dei Mater  SSATTBB  (Kalmus #6696, 19  Anthems, Vol. 						III, p. 123)
			Illae dum pergunt concite  SATTB or STTTB or STTBB   (16 Cantiones sacrae I, 				p. 193)  (all have)
			In manus tuas Domine  SATTB  (16 Cantiones sacrae I, p. 202; also all have copy 				from Mary Keirstead)  (all have)
			Lamentations of Jeremiah
				I.   Incipit lamentatio Jeremiah prophetae   ATTBB  (Kalmus #6696, 							19 Anthems,  p. 102)	
				II.  De lamentatione Jeremiah prophetae   ATTBB  (Kalmus #6696, 
					19 Anthems, p. 110)	
			Mass:" Salve Intemerata"  SATBB or STTBB  (very low alto and bass)  (Kalmus 				#6692;  Ruth  5 cc, Kienitz 1 cc)
			O nata Lux de lumine  SATTB (16 Cantiones sacrae II, p. 209)  (all have)  "gem"
				(Christmas)
			Quod chorus vatum  SAATB or SSATB or SATTB  (Frank orig, Ruth file, all 					have)
			#Salvator mundi  ATTBB or STTBB  (Med & Ren, p. 104)  See also Cantiones 					sacrae II, pp. 216 and 219 for Salvator mundi I and II  (all have)
			Suscipe quaeso Domine  SSATTBB  (16 Cantiones sacrae II, p. 222)  (all have)

			NOTE:  Neil, Frank, Mimi, Ruth and Kienitz all have Vol. I, II, and III

Taverner:	# Gloria  SATB  (Med & Ren, p. 90)

Tessier:		Au joli bois je m'en vais  SATB  (A Cappella, p. 126)

Toch:		Geographical Fugue  SATB  for speaking chorus (all have)
			Valse  SSAATTBB  for speaking chorus (all have)

Tomkins:	# Come, shepherds, sing with me  SSATB  (Penguin 5, p. 89)
			Music divine  SSATB  (Oxford, p. 175)  (all have)
			# Nunc dimittis  ATTB or ATBB  (Med & Ren, p. 209)
			O yes! Has any found a lad?  SATB  (Oxford, p. 216)  unspectacular
			Oft did I marle how in thine eyes  SSAATB  (Ruth T6 only)
			See, see the Shepherd's Queen  SSATB (Oxford, p. 248; also folder)  (all have)
			The fauns and satyrs tripping  SSATB  (Oriana No. 10, p. 102)
			Then David mourned  SSATB  (Ruth)  (all have)
			# To the shady woods now wend we  SSATB  (Penguin 5, p. 98)
			Too much I once lamented  SSATB  (Oxford, p. 358;  Ruth file; all have)  nice
			When David Heard  SAATB  (all have)

Touront:	O gloriosa regina  STB  (Capella Meisterwerke, p. 7)  (all have)

Vaughan Williams:	Three Elizabethan Part Songs  SATB  (all have)
						1. Sweet Day
						2. The Willow Song
						3. O Mistress Mine

Vautor:		# Ah sweet, whose beauty passeth all my telling  SSATB  (Penguin 5, p. 102)
			Mother, I will have a husband  SSATB  (Penguin 5, p. 108; Oxford, p. 168;  
				Ren to Bar III, p. 54)  (all have)
			Shepherds and nymphs  SSATTB  (Ruth T6 only)  ("posthumous Oriana")
			Sweet Suffolk owl  SSATB  (Oxford, p. 303)  (all have)

Vecchi:		Chi vi mira  SSATB  (nice; singable)  "gem"  (all have)  good warm-up
			Dolcissimo Ben Mio  SATB  (gentle)  (all have)  good warm-up
			Fa una canzone  (Sing, sing a song)  SATB  (all have)
			#Fummo felici un tempo  SSATB  (Golden Age, p. 76)
			Gioite tutti  SSATB  (all have)
			#  Pastorella graziosella  SSATB  (Chorubungen, p. 209; Kienitz, Ruth only)
			So ben mi ch'a bon tempo  SATB  (A Cappella, p. 146)
			The white delightful Swan  SSATBB  (low alto - G; not warm-up)  (all have)

Verdelot:	I vostr'acuti dardi  SATB  (A Cappella,, p. 121)

Verdonck:	#  Ave Maria  SATB  (Sixth Chester, p. 36; Ruth 4 cc)

Victoria:	Ave Maria  (XLIV)  SATB SATB  double chorus  (Motets, p. 13)  (all have)
			1.  Ave Maria  (XLVI)  SATB or STTB  (Motets, p. 48; Span. Sch., p. 29; Ruth 4 
				copies; all have)
			2.  Beati immaculati  (XLVII)  SATB or STTB  (Motets, p. 51)  (all have)
			Beata es, Virgo Maria  (LI)  SAATBB (really SATTBB - very low)  (Motets, p. 73)  				(all have)
			Beata quoque agmina  SATB  (Sacred Chorus, p. 47)  (all have)
			Benedicam Dominum (XLVIII)  SATB  or SSTB  (good warm-up)  (Motets, p. 56)  				(all have)
			Ego sum panis vivus  (XLIX)  SATB    (Motets, p. 61)  (all have)
			Hic vir despiciens mundum  SATB  (Ren to Bar II, p. 58)
			In annuntiatione benissimae Mariae  SATB  (Ren to Bar V, p. 74)  (all have)
			Kyrie "Orbis factor"  SATB  (all have)
			#  Ne timeas Maria  SATB  (Sixth Chester,  p. 38; Ruth 4 cc)  Christmas
			O Doctor optime  (L)   SATB (Motets. p. 68)  (all have)
			#  O Domine Jesu Christe  SAATTB  (Motets, p. 8)  (all have)
			O magnum mysterium  SATB  (Kienitz file; Span Sch, p. 32; Ruth 4 cc;  all have)
			O quam gloriosum est regnum  SATB  (all have)  		
			# O vos omnes  SATB  (Das Meisterwerk;  Span Sch, p. 36; Ruth 4 cc; all have)  				Trans
			#  Pueri Hebraeorum  SATB  (Span Sch, p. 38; Ruth 4cc)
			Tantum ergo  SATB  (Sacred Chorus, p. 17)  (all have)
			# Tantum ergo (Pange lingua)   SATB  (Das Meisterwerk; all have;
				NOT same as Sacred Chorus "Tantum ergo")
			Tenebrae Responsories  (Ruth file; Kienitz single complete; Ruth single complete)
				1.  Amicus meus  (ii, IV)		SATB
				2.  Iudas mercator pessimus  (ii, V)	SSAT
				3.  Unus ex discipulus meis ( ii, VI)  	SATB
				4.  Eram quasi agnus  (iii, VII)	SATB
				5.  Una hora  (iii, VIII)	SSAT
				6.  Seniores populi  (iii, IX)	SATB
				7. Tanquam ad latronem  SATB
				8. Tenebrae factae sunt  SSAT or ATTB or TTTB
				9. Animam meam dilectam  SATB
				10. Tradiderunt me  SATB
				11. Iesum tradidit impius  SSAT
				12.  Caligaverunt oculi mei  (iii, IX)	SATB						
				13.  Recessit pastor noster  (ii, IV) 	SATB												14.  O vos omnes  (ii, V)		SSAT														15.  Ecce quomodo moritur  (ii, VI)	SATB												16.  Astiterunt reges  (iii, VII) 	SATB													17.  Aestimatus sum  (iii, VIII)	SSAT or TTBB											18.  Sepulto Domino  (iii, IX)	SATB						
			#  Trahe me post te  SAATTB  (Motets, p. 1)  (all have)

Villiers:		Do not complain (Ne te plains tant)  SATB  (Kienitz file)  (all have)

Waelrant:	#  Hard by a fountain  SATB  (Ruth, single copy from Kienitz)

Walton:	A Litany  SATB  (Drop, drop, drop slow tears)  (all have)

Ward:		Come, sable night  SSATTB  (high sopranos)  (Oxford, p. 54)  (all have)
			1.  If the deep sighs of an afflicted breast    SSATTB   (Ruth file;  all have)
			2.  There's not a grove  SSATTB    high sopranos    (Ruth file;  all have)
			# Out from the vale  SSATBB  (Oxford, p. 200)
			# Upon a bank with roses set about  SSATB  (Penguin 5, p. 116)
			# Weepe forth your teares, and doe lament  SSATTB  (Med & Ren, p. 180)

Weelkes:	As Vesta was from Latmos Hill descending   SSATTB  (Oriana No. 17, p. 175;  					Oxford, p. 27;  all have)
			Cease now delight  SSTTBB  (Kienitz and Ruth files; all have)
			Cease sorrows now  SAT (Kienitz and Ruth files; all have)
			Cold winter's ice  SSATB (Penguin 5, p. 125, key of G; Kienitz file, key of A)  (all 				have)
			# Come, sirrah Jack, ho!  SAT  (Oxford, p. 70;  all have)
			# Death hath deprived mee  SAATBB  (Med & Ren, p. 170)
			# Gloria in excelsis  SSAATB  (Frank orig; Ruth & Kienitz, one each)
			Grace my lovely ones, fair beauties  SSATB  ( A Cappella,  p. 45)
			Hark, all ye lovely saints above  SSATB  (not a warmup) (Oxford, p. 137; Ren to 				Bar III, p. 87;  European, p. 57)  (all have)
			In pride of May  SSATB  (European, p. 61;  Ruth T6 only)
			Lady, your eye my love enforced  SSATB  (A Cappella, p. 49)
			Like two proud armies  SSATBB  (all have)
			Mars in a fury  SSAATB   very martial  (Ruth file;  all have)
			My Phyllis bids me pack away  SSATTB or SSAATB  (all have)
			1.  O care, thou wilt despatch me  SSATB  or SAATB   (Oxford, p. 192;  all have)  				not a warm-up
			2.  Hence, care  SSATB  or SAATB or SATTB     low alto, not warm-up (Oxford, 				p. 196;  all have)  not a warm-up
			On the plains, fairy trains  SSATB  (Ruth file; all have)
			Say, dear, when will your frowning?   SSATBB  (Kienitz  and Ruth file; all have)
			# Since Robin Hood  SAT  (Oxford, p. 256;  all have)
			Sing we at pleasure  SSATB  (Oxford, p. 268;  Penguin 5, p. 131; all have)
			# Strike it up, tabor  SST  (Oxford, p. 266;  all have)
			Tan ta ra ran tan tant  SSA or TTB  (Med & Ren, p. 167)
			Thus sings my dearest jewel  SSA  (Oxford, p. 356;  all have)
			1.  Thule, the period of Cosmography  SSATTB (Oxford, p. 339; all have)
			2.  The Andalusian Merchant  SSATTB  (Oxford, p. 348;  all have)
			We shepherds sing  SSATB  (Ruth T6 only)
			When Thoralis delights to walk, the Fairies do attend her  (SSATTB) or really 					SSTTTB (Ruth file;  all have)
			    
Wert:		Adesto dolori meo  SSATTB  "gem"  (all have)
			Ah dolente partita!  SSATB  (Golden Age, p. 71)  high
			D'un si bel foco  SATTB  (Popular Italian, p. 47)  (all have)
			Un jour je m'en allai  SSATB  (Chorubungen, p. 239;  all have)

White:		Lamentations for Five Voices  SATTB  (Kalmus 6724; all have)
			Lamentations for Six Voices  SATTBB  (Kalmus 6724; all have)

Whittaker:	Bobby Shaftoe  SATB  (Northumbrian Folk Song, Ruth)
			The Water of Tyne  SATB  (Northumbrian Folk Song, Ruth)

Widmann:	# Wohlauf, ihr Gaeste  SATB (European,  p. 80)

Wilbye:	Adieu, sweet Amaryllis  SATB  (Oxford, p. 8; A Cappella, p. 39; Penguin 4, p. 139)  				(all have)
			#  Alas, what a wretched life  SAATB  (N35; Ruth; all have)
			Alas, what hope of speeding?  SATB  (Med & Ren, p. 162)
			# As matchless beauty  SATB  (Penguin 4,  p. 143)
			Cruel behold my heavy ending  SSATTB    (Ruth T6 only;  Kienitz 6 cc)
			1.  Down in a valley   SSATB  (all have)
			2 .  Hard destinies are love  SSATB  (nice, melodious, singable)  "gem"  (all have)
			Draw on, sweet night  SSATTB (Oxford, p. 76)  "gem"  (all have)
			Flora gave me fairest flowers  SSATB  (A Cappella, p. 32;  Penguin 5, p. 137;
				Oxford, p. 101)   not warm-up  (all have)
   			Fly not so swift  SATB (low alto)  (all have)
			The Lady Oriana  SSATTB (Oriana No. 15, p. 151;  Ruth and Kienitz, 6 cc 						each;all have)  (not a warm-up)  
			Lady, when I behold the roses  SATB  or  SSTB  (Penguin 4, p. 149; Oxford, 
				p. 142;  all have)  good warm-up
			Love me not for comely grace  SATB  (all have)
			O what shall I do  SST or SAT  (Oxford, p. 210)   not a warm-up  (all have)
			1.  Of joys and pleasing pains I late went singing  SSATTB  (Ruth T6 only)
			2.  My throat is sore, my voice is hoarse  SSATTB  (Ruth T6 only)
			# Oft have I vowed  SSATB  (Penguin 5, p. 143)
			Softly, o softly, drop my eyes  SSAATB  "gem" (Ruth, Kienitz files;  all have)
			Stay, Corydon, thou swain  SSATTB  (Kienitz  and Ruth file; all have)
			1.  Sweet honey-sucking bees  SSATB (Oxford, p. 288; better edition in folder)  					(all have)
			2.  Yet, sweet, take heed  SSATB  (Oxford, p. 295)  (all have)
			Thus love commands  SSATB or SSAAB or SSTTB  (Kienitz)  (all have)
			Thus saith my Cloris bright  SATB  (Med & Ren, p. 157;  Penguin 4, p. 154)
			Weep, weep, weep, mine eyes  SAATB  (Anthology of Music;  Penguin 5, p. 152; 
				Oxford,  p. 376)  "gem"  (all have)
			What needeth all this travail?  SATB  (Ruth T6 only)
			#  When Cloris heard  SATB  (Ruth; all have)
			When shall my wretched life give way to death  SSATTB (Ruth T6 only; Kienitz 
				6 cc)

Willaert:	Amor mi fa morire  SAAT  (Popular Italian, p. 2)  (all have)

Wolters:	Still, still, still, weils Kindlein schlafen will  (Christmas)  SSATB  (Ruth file)  (all 					have)

l4269e12(635)\80g1G
