[ivy]<Satterthwaite>music>voices5-8!1

5 PARTS 5 PARTS
* Ruth has single copies; not on Music Available List
# music available, but not yet in our repertoire
Monteverdi: # Ardi o gela -- Risposta (Primo, p. 64) (five voices -- to be determined)
# Ardo si ma non t’amo (Primo, p. 61) (five voices -- to be determined)
# Arsi e alsi -- Controrisposta (Primo, p. 67) (five voices -- to be determined)
# Ch’io ami la mia vita (Primo, p. 1) (five voices - to be determined)
# Donna s’io miro voi (Primo, p. 58) (five voices -- to be determined)
# La vaga pastorella (Primo, p. 50) (five voices -- to be determined)
# Mentre io miravo fiso (Secondo, p. 58) (five voices -- to be determined)
# Non giacinti o narcisi (Secondo, p. 24) (five voices -- to be determined)
# Non mi e grave (Secondo, p. 92) (five voices -- to be determined)
# Quell’ombra esser (Secondo, p. 49) (five voices -- to be determined)
# Questo specchio ti dono (Secondo, p. 87) (five voices -- to be determined)
# Se per havervi oime (Primo, p. 5) (five voices - to be determined)
# Se tu mi lassi (Secondo, p. 65) (five voices -- to be determined)
# Ti sponto l’ali amor (Secondo, p. 97) (five voices -- to be determined)
# Tra mille fiamme (Primo, p, 39) (five voices -- to be determined)
# Tutte le bocche belle (Secondo, p. 39) (five voices -- to be determined)
# Usciam Ninfe homai (Primo, p. 42) (five voices -- to be determined)
SSATB
Anonymous: Angels from the realms of glory SSATB (CC I, p. 16) (Christmas)
Arcadelt: S’infinita belleza SSATB (Golden Age, p. 7)
Bach: Jesu, meine Freude SSATB (Motet III, p. 48)
Bateson: # And must I needs depart, then? SSATB (Penguin 5, p. 13)
Come sorrow, help me to lament SSATB (Ruth file; all have)
# Down the hill Corinna trips SSATB (Penguin 5, p. 20)
Orianaes Farewell: Hark, hear you not? SSATB "posthumous Oriana" (Ruth file; all have)
Those sweet delightful lilies SSATB (low alto) (Oxford, p. 332)
Bennett: All creatures now are merry SSATB (Oxford, p. 1; Oriana No. 4, p. 41)
Byrd:# Come, woeful Orpheus SSATB (Penguin 5, p. 27)
Haec dies SSATB (Paschali, Bk. II, Kienitz; all have)
I thought that love had been a boy SSATB (A Cappella, p. 55; all have)
# O quam gloriosum SSATB (Kienitz, Ruth 1 ea; Frank orig)
Though Amaryllis dance in green SSATB (Oxford, p. 324; all have)
Carlton: Calm was the air SSATB (nice tone painting) (Oriana No. 7, p. 67; all have)
(not warm-up)
Cavendish: Come, gentle swains SSATB (Oriana No. 11, p. 120; Oxford, p. 48; all have)
To former joy SSATB (high for sopranos; hammy; all have)
# Zephyrus brings the time SSATB (Penguin 5, p. 34)
Cobbold:# With wreaths of rose and laurel SSATB (Oriana No. 12, p. 126)
Distler: Wohin stets meine Schritte fielen SSATB (Chorubungen, p. 256; all have)
East: Come Life, Come Death SSATB (dull bass, but nice; not warm-up) (all have)
Hence stars! too dim of light SSTTB or SSATB or SSABB (Oriana, p. 1)
# What doth my pretty darling? SSATB (Penguin 5, p. 45)
Farmer: You pretty flowers SSATB (all have)
Flagg:# Hallelujah SSATB or SSTTB (Frank orig; Ruth, Kienitz, 1 ea)
Gabrieli, G.: Quand’io ero giovenetto SSATB (Golden Age, p. 44, chirpy)
Gastoldi:# Amor vittorioso SSATB (European, p. 16)
Il Piacere (30 second piece; high sopranos) SSATB (all have)
Vezzosette ninfe SSATB (European, p. 19)
Gesualdo: Bella Angioletta SSATB (Bk. I, p. 76)
Belta, poi che t’assenti SSATB (Bk. VI, p. 16)
Chiaro risplender suole SSATB (Bk.VI, p. 25)
Deh, come invan SSATB (Bk. VI, p. 40)
Deh, coprite il bel seno SSATB (Bk. V, p. 64) Trans
Deh, se gia fu crudele SSATB (Bk. III, p. 64)
Dolce spirto d’Amore SSATB (Bk. III, p. 31)
Dolcissima mia vita SSATB (Peters 4363, p. 22; Bk. V, p. 23)
Dolcissimo sospiro SSATB (Bk. III, p. 66)
Gia piansi nel dolore SSATB (Bk. VI, p. 96)
Io parto e non piu disi SSATB (Bk. VI, p. 29)
Io pur respiro SSATB (Bk. VI. p. 44)
Itene, o miei SSATB (Peters 4363, p. 26; Bk. V, p. 19)
Languisce al fin SSATB (Bk. V, p. 45)
Languisco e moro SSATB (Bk. III, p. 20)
Luci serene e chiare SSATB (Peters 4363, p. 6; Bk. IV, p. 13)
1. Mentre madonna il lasso fianco posa SSATB (Bk. I, p. 31)Trans
# 2. Ahi, troppo saggia nell’ errar SSATB (Bk. I, p. 34) Trans
Mille volte il di SSATB (Bk. VI, p. 33)
Moro lasso SSATB (Peters 4363, p. 30; Bk. VI, p. 74)
1. O come e gran martire SSATB (Bk. II, p. 35)
2. O mio soave ardore SSATB (Bk. II, p. 36)
O voi troppo felici SSATB (Bk. V, p. 51)
O vos omnes SSATB (SATTB - down 3rd) (Sacrae Cantiones VIII, p. 40 -- the one we know) Trans
1. Or, che in gioia credea viver contento SSATB or SAATB (Bk. IV, p. 33)
2. O sempre crudo Amore SSATB or SAATB (Bk. IV, p. 35)
Quando ridente e bella SSATB (Bk. VI, p. 100)
Se la mia morte brami SSATB (Bk. VI, p. 13)
Son si belle le rose SSATB (Bk. I, p. 73)
1. Sospirava il mio core SSATB (Bk. III, p. 35)
2. O mal nati messagi SSATB (Bk. III, p. 37)
Tu m’uccidi, o crudele SSATB (Bk V, p. 60; Ren to Bar II, p. 42)
Gibbons:# Dainty fine bird SSATB (Oxford, p. 72)
# Long live fair Oriana SSATB (Oriana No. 3, p. 32)
# O that the learned poets SSATB (Oxford, p. 222)
The silver swan SSATB (Oxford, p. 310; A Cappella, p. 68; all have)
Giovanelli:# Mi sfidate SSATB (A Cappella, p. 152)
Greaves:# Long have the shepherds sung this song SSATB (Ruth file, Kienitz original; unofficial Oriana)
Hassler: Ach weh dess Leiden SSATB (Chorubungen, p. 121; all have) Trans
Ad Dominum cum tribularer (need 2 basses) SSATB or SAATB (all have)
Hilton:# Fair Oriana, beauty’s queen SSATB (Oriana No. 5, p. 49)
Hindemith: The Devil a monk would be! (Ein Wolf) SSATB (wierd) (all have)
Twelve Madrigals SSATB (Kienitz file only)
1. Mankind
2. A fool’s, an artist’s life (all have)
3. Drown your callow fears
4. Drink up! (all have)
Holmes: Thus Bonny-boots SSATB (Oriana No. 8, p. 77)
Howells:# Here is the little door (Christmas) SSATB (Ruth, single copy)
Kirbye: See what a maze of error SSATB (Oxford, p. 258)
What shall I part thus SSATB (Med & Ren, p. 176)
Kodaly: A Christmas Carol (All men draw near) SSATB (CCI, p. 18) (Christmas)
Kuhnau: Tristes est anima mea SSATB (Ruth file; Kienitz single)
Lasso: Justorum anima SSATB (Chorubungen, No. 10) "gem" (all have)
Lovell: Blow the wind southerly Sop. solo with 4 voice or string acc. (Northumbrian folk song, Ruth)
My miner lad SSATB (Northumbrian folk song, Ruth)
The oak and the ash Sop. solo with 4 voice acc. (Northumbrian folk song, Ruth)
Lully: Tanz-Chor (Haltet uns, wonige Banden, umwunden) SSATB (Chorubungen,
p. 145; all have)
Marenzio:# Che fa hoggi il mio sole SSATB (all have; N 30)
Crudele acerba SSATB (10 Madrigals, p. 72) (all have)
Deh Tirsi anima mia SSATB or SATTB (Ruth; all have)
Liquide perle amor SSATB (Frank 8 orig; Kienitz 6 cc; Ruth file; all have)
# Madonna mia gentil SSATB (all have; N 27)
Qual mormorio soave SSATB (10 Madrigals, p. 54) "gem" (all have)
Scaldav’il sol SSATB or SSTTB (Madrigali, Nr. 4, p. 16; all have) cheerful; "gem"
Scendi SSATB (Madrigalisti, Nr. 6, p. 28) (all have)
Spring returns SSATB (A Cappella, p. 136)
Togli, dolce ben mio SSATB (10 Madrigals, p. 47) (all have)
Vergine gloriosa SSATB (10 Madrigals, p. 64) (all have)
Milton: O had I wings like to a dove SSATB (high soprano both parts) (all have)
Monte: Like as the turtle dove SSATB (good warm-up) (Rediscovered, p. 58) (all have)
On the first day of May SSATB (Kienitz) (all have)
Monteverdi: A che tormi il ben mio SSATB (Madrigale I, p. 6; all have)
Amor per tua merce SSATB (Primo, p. 11; all have)
Anima mia perdona SSATB (Madrigale I, p. 30; all have)
Baci, soavi, e cari SSATB (Madrigale III, p. 10; Primo, p. 14; all have)
Ch’ami la vita mia SSATB (Madrigale I, p. 3; also in Kienitz file in flats; all have)
Che se tu se il cor mio SSATB (Madrigale I, p. 33; all have)
Ch’ io non t’ ami SSATB (Madrigale I, p. 26; all have)
# Ch’io t’ami SSATB (10 Madrigals, p. 72)
Crudel! perche mi fuggi? SSATB (Madrigale III, p. 14; 10 Madrigals, p. 16; very nice; all have)
# Dolcemente dormiva la mia Clori SSATB (10 Madrigals, p. 22; Ruth T6)
Dolcissimi legami SSATB or SAATB (Secondo, p. 19)
Donna nel mio ritorno SSATB (Secondo, p. 44)
E dicea l’una SSATB (Madrigale I, p. 14; all have)
Ecco mormorar l’onde SSATB or SSTTB or SATTB (Madrigale II, p. 55; all have)
Era l’anima mia gia presso SSATB (Madrigale I, p. 40; all have)
1. Fumia la pastorella SSATB (Primo, p, 27)
2. Almo divino raggio SSATB (Primo, p. 29)
3. All’ hora i pastori tutti SSATB (Primo, p. 32)
Jo mi son giovinetta SSATB (Madrigale III, p. 20; all have) "gem"
La bocca onde SSATB or SAATB (Secondo, p. 75)
Lagrime d’Amante al Sepolcro dell’Amata SSATB or SATTB (low alto)
#1 - very low bass and alto
#2 - very low bass and alto
#3 - not so low
Lasciate mi morire SSATB or SATTB (Madrigale III, p. 18 and European, p. 12, in f minor; Kienitz file, in d minor)
Luci serene e chiare SSATB (10 Madrigals, p. 55; all have)
M’e piu dolce il penar SSATB (Madrigale I, p. 44)
1. Non si levav’ ancor SSATB (Madrigale I, p. 8; all have) nice
2. E dicea l’una SSATB (Madrigale I, p. 14; all have)
O com’ e gran martire SSATB or SSSTB (Madrigale I, p. 22; all have)
O mirtillo SSATB (not warm up - breath control; low alto)
(Madrigale I, p. 36; all have)
O rossignuol, ch’ in queste verdi SSATB (Madrigale III, p. 36; all have)
# Oime il bel viso SSATB (10 Madrigals, p. 97)
Piagn’ e sospira SSATB (low women’s parts) (Madrigale II, p. 49; all have; Frank 2 originals and 10 extra ccs)
Poi che del mio dolore SSATB (good warm-up; all have)
Quel Augellin che canta si dolcemente SSATB (high; showy; not warm-up)
(10 Madrigals, p. 63; Madrigale III, p. 5; all have) Trans
S’ andasse amor a caccia SSATB (Madrigale I, p. 18; all have) (good warm-up)
Se nel partir da voi SSATB (Madrigale III, p. 26; all have)
Se pur non ti contenti SSATB high (Primo, p. 18)
Sfogava con le stelle SSATB (10 Madrigals, p. 47; all have)
Si, ch’io vorei morire SSATB (wide range; not warm-up) (Madrigale II, p. 31; all have)
Vattene pur, crudel SSATB (10 Madrigals, p. 30) "gem"
Zefiro torna SSATB (Madrigale III, p. 29; 10 Madrigals, p. 88; all have) coloratura! Trans
Morley:# Dainty, fine, sweet nymph SSATB (A Cappella, p. 26)
Fire, fire my heart! SSATB (Oxford, p. 112, key of F; European, p. 47, key of G; all have)
I love, alas, I love thee SSATB folder; SATBB or SATTB in Oxford, p. 148; all have
Shoot, false love, I care not SSATB (A Cappella, p. 22)
Sing we and chant it SSATB (Oxford, p. 263; A Cappella, p. 3; all have)
What saith my dainty darling? SSATB (all have)
Why weeps, alas SSATB (not a warm-up) (all have)
Mundy: Lightly she whipped o’er the dales SSATB (Oriana, No. 2, p. 18; Ruth file; all have) "gem"
Nicolson: Sing, shepherds all SSATB (Oriana No. 9, p. 88)
Pilkington:# Sing we, dance we on the green SSATB (Penguin 5, p. 82)
Porta:# Erasi al sole il mio bel sole assiso SSATB (Golden Age, p. 59)
Ravel: Trois Chansons
2. Trois beaux oiseaux du Paradis SSATB (Kienitz orig; all have)
Rossi: Felice chi vi mira SSATB (Rediscovered, p. 52; all have)
Schutz: Die mit Traenen saen SSATB (low alto) (Frank 9 cc; Geistliche, p. 45; all have)
Es ist erschienen SSATB (Geistliche, p. 9) Christmas
So fahr ich hin zu Jesu Christ SSATB (Geistliche, p. 51)
Unser keiner lebet ihm selber SSATB (Geistliche, p. 25)
1. Verleih uns Frieden genadiglich SSATB (Geistliche, p. 17) (all have)
2. Gib unsern Fuersten SSATB (Geistliche, p. 21)
(Also Geistliche, p. 39 is SSATB)
Steffens: Der vierte Teil: Der Wien schmeckt so wunderschoen SSATB (light & fast)
(all have)
Stephani:# Der Kuckuck hat sich zu Tod gefalln SSATB (European, p. 85)
Sweelinck: Hodie Christus natus est (Christmas) SSATB (Chorubungen No. 30; all have)
Tallis: Deus tuorum militum SAATB or SSATB or SATTB (Frank orig, Ruth file, all have)
Quod chorus vatum SAATB or SSATB or SATTB (Frank orig, Ruth file, all have)
Tomkins:# Come, shepherds, sing with me SSATB (Penguin 5, p. 89)
Music divine SSATB (Oxford, p. 175; all have)
See, see the Shepherd’s Queen SSATB (Oxford, p. 248; also folder; all have)
The fauns and satyrs tripping SSATB (Oriana No. 10, p. 102)
Then David mourned SSATB (Ruth file; all have)
# To the shady woods now wend we SSATB (Penguin 5, p. 98)
Too much I once lamented SSATB (Oxford, p. 358; Ruth file; all have)
Vautor:# Ah sweet, whose beauty passeth all my telling SSATB (Penguin 5, p. 102)
Mother, I will have a husband SSATB (Penguin 5, p. 108; Oxford, p. 168; Ren to Bar III, p. 54; all have)
Sweet Suffolk owl SSATB (Oxford, p. 303; all have)
Vecchi: Chi vi mira SSATB (nice; singable; all have) good warm-up
#Fummo felici un tempo SSATB (Golden Age, p. 76)
Giote tutti SSATB all have
# Pastorella graziosella SSATB (Chorubungen, p. 209; Kienitz, Ruth only)
Ward:# Upon a bank with roses set about SSATB (Penguin 5, p. 116)
Weelkes: Cold winter’s ice SSATB (Penguin 5, p. 125, key of G; Kienitz file, key of A; all have)
Grace my lovely ones, fair beauties SSATB ( A Cappella, p. 45)
Hark, all ye lovely saints above SSATB (not a warmup) (Oxford, p. 137; Ren to Bar III, p. 87; European, p. 57; all have)
In pride of May SSATB (European, p. 61; Ruth T6 only)
Lady, your eye my love enforced SSATB (A Cappella, p. 49)
1. O care, thou wilt despatch me SSATB or SAATB (Oxford, p. 192; all have)
2. Hence, care SSATB or SAATB or SATTB (Oxford, p. 196; all have) low alto, not warm-up
On the plains, fairy trains SSATB (Ruth file; all have)
Sing we at pleasure SSATB (Penguin 5, p. 131; Oxford, p. 268; all have)
We shepherds sing SSATB (Ruth T6 only)
Wert: Ah dolente partita! SSATB (Golden Age, p. 71) high
Un jour je m’en allai SSATB (Chorubungen, p. 239; all have)
Wilbye:1. Down in a valley SSATB (all have) "gem"
2 . Hard destinies are love SSATB (nice, melodious, singable) (all have) "gem"
Flora gave me fairest flowers SSATB (A Cappella, p. 32; Penguin 5, p. 137;
Oxford, p. 101; all have) not warm-up
# Oft have I vowed SSATB (Penguin 5, p. 143)
1. Sweet honey-sucking bees SSATB (Oxford, p. 288; better edition in folder; all have)
2. Yet, sweet, take heed SSATB (Oxford, p. 295; all have)
Thus love commands SSATB or SSAAB or SSTTB (Kienitz file; all have)
Wolters: Still, still, still, weils Kindlein schlafen will (Christmas) SSATB (Ruth file)
SSSTB
Monteverdi: O com’ e gran martire SSATB or SSSTB (Madrigale I, p. 22)
SSAAT
Cyprian:1. Si ignoras te SSAAT (N-50)
2. Surge, propera SSAAT (N-50; with "Voce mea ad Dominum clamavi",
N-57; all have)
SSAAB
Wilbye: Thus love commands SSATB or SSAAB or SSTTB (Kienitz file; all have)
SSABB
East: Hence stars! too dim of light SSTTB or SSATB or SSABB (Oriana, p. 1)
SSTTB
East: Hence stars! too dim of light SSTTB or SSATB or SSABB (Oriana, p. 1)
Flagg:#Hallelujah SSATB or SSTTB (Frank original; Ruth, Kienitz single each)
Gibbons: Trust not too much, fair youth SSTTB (Oxford, p. 364; all have) "gem"
Marenzio: Scaldav’il sol SSATB or SSTTB (Madrigalisti, Nr. 4, p. 16; all have) cheerful; "gem"
Monteverdi: Ecco mormorar l’onde SSATB or SSTTB or SATTB (Madrigale II, p. 55; all have)
Norcome: With angel’s face and brightness SSTTB (Orian No. 1, p. 9; all have)
Wilbye: Thus love commands SSATB or SSAAB or SSTTB (Kienitz file; all have)
SAATB
Brahms: Der bucklichte Fiedler SAATB (Peters No. 3915, p. 38)
Deutche Volkslieder
9. Abschiedslied SAATB (Peters No. 3915, p. 90) (nice) (alto divides 2 meas)
Bruckner: Christus factus est pro nobis obediens (Gradual III) SAATB (Peters No. 6316; all
have)
Clemens non Papa: Ascendit Deus SAATB "gem" (all have)
Cyprian:# Voce mea ad Dominum clamavi SAATB (N57; all have)
Fayrfax: Magnificat "Regali" SAATB (Frank original; Ruth file: all have)
Gabrieli, G.: Two Madrigals from "Musica Spirituale" (not a warm-up)
1. Signor, le tue man sante SAATB (all have; Frank original)
2. Vergine il cui figliol SAATB (all have; Frank original)
Gagliano:# Di marmo siete voi SAATB (Golden Age, p. 85)
Gesualdo:1. Cor mio deh non piangete SAATB (Bk. IV, p. 37)Trans
2. Dunque non m’offendete SAATB (Bk. IV, p. 39)Trans
1. Ecco moriro dunque SAATB (Peters 4363, p. 11; Bk IV, p. 59)
2. Ahi, gia mi discoloro SAATB (Peters 4363, p. 13, Bk IV, p. 60)
Felicissimo sonno SAATB (Bk V, p. 33)
1. Io tacero SAATB (Peters 4363, p. 16; Bk IV, p. 21)
2. Invan dunque crudele SAATB (Peters 4363, p. 19; Bk IV, p. 24)
1. Or, che in gioia credea viver contento SSATB or SAATB (Bk. IV, p. 33)
2. O sempre crudo Amore SSATB or SAATB (Bk. IV, p. 35)
Greaves:# Come away, sweet love SAATB (Oxford, p. 42)
Hassler: Ad Dominum cum tribularer (need 2 basses) SSATB or SAATB (all have)
Jeep: Nil nostri miserere, mori me denique cogis SAATB or SATTB (if SATTB, need high tenor; in German!) (all have)
Josquin: Parfons regretz SAATB (all have)
Marenzio: Fieri silvestre SAATB or SATTB (Golden Age, p. 65; high)
Marson: The nymphs and shepherds danced SAATB or SATTB (Oriana No. 6, p. 57; all have)
Merulo: Quand’io pens’al martire SAATB (Golden Age, p. 21)
Monte:# Verament’ in amore SAATB (Golden Age, p. 40)
Monteverdi:# Amor s’il tuo ferire SAATB high sop, tenor, bass (Primo, p. 54)
Cantai un tempo SAATB (Secondo, p. 102)
Dolcissimi legami SSATB or SAATB (Secondo, p. 19)
La bocca onde SSATB or SAATB (Secondo, p. 75)
Palestrina: Non son le vostre mani SAATB (Chorubungen, p. 192; all have)
Tallis: Candidi facti sunt SAATB (Ren to Bar III, p. 20; 16 Cantiones sacrae I, p. 186; all have)
Deus tuorum militum SAATB or SSATB or SATTB (Frank orig, Ruth file, all have)
Quod chorus vatum SAATB or SSATB or SATTB (Frank orig, Ruth file, all have)
Tomkins: When David Heard SAATB (all have)
Weelkes:1. O care, thou wilt despatch me SSATB or SAATB (Oxford, p. 192; all have)
2. Hence, care SSATB or SAATB or SATTB (Oxford, p. 196; all have) low alto, not warm-up
Wilbye:# Alas, what a wretched life SAATB (Ruth; N35; all have)
Weep, weep, weep, mine eyes SAATB (Anthology of Music; Penguin 5, p. 152;
Oxford, p. 376) "gem"
SATTB
Byrd: Ave Maria SATTB (Ren to Bar III, p. 45; all have)
Civitas sancti tui SATTB (Kienitz; all have)
#Emendemus in melius SATTB (Med & Ren, p. 115)
Laetentur coeli SATTB ( all have)
Lullaby, my sweet little baby SATTB (Oxford, p. 158; all have) Christmas
Mass for Five Voices SATTB (all have)
# When first by force of fatall destenie SATTB or SATBB (Med & Ren, p. 121)
Cyprian:# L’ineffabil bonta SATTB (all have; N24)
O morte, eterno fin SATTB (Golden Age, p. 13; all have)
Eccard: Ich lag in tiefer Todesnacht SATTB (Chorubungen, p. 81; on sheet with Schroeter "Allein Gott in der Hoeh’ sei Ehr")
O Lamm Gottes SATTB (Chorubungen, p. 86; all have)
Gabrieli, A.:Ecco l’aurora con l’aurata fronte SATTB (Golden Age, p. 32)
Gallus: Mirabile mysterium SATBB or SATTB (Frank orig; all have)
Gesualdo: Al mio gioir SATTB (Bk. VI, p. 84)
Ave, dulcissima Maria (good salve to tired sopranos) SATTB (Bk. VIII, p. 17)
Ave, Regina Coelorum (low alto; gentle ending) SATTB (Bk. VIII, p. 11)
Crudelissima doglia SATTB (Bk. III, p. 51)
Domine, ne despicias SATTB (Bk. VIII, p. 28)
Madonna, io ben vorrei SATTB (Bk. I, p. 20)
Maria mater gratiae SATTB ( Bk. VIII, p. 63)
Non t’amo SATTB (Bk. III, p. 43)
O dolce mio martire SATTB (Bk. I, p. 46)
O dolorosa gioia SATTB (Bk V, p. 27)
O vos omnes SSATB (SATTB - down 3rd) (Sacrae Cantiones VIII, p. 40; the one we know)
Peccantem me SATTB Bk. VIII, p. 36 (low alto)
l. Poi che l’avida sete SATTB (Bk. V, p. 67)
2. Ma tu, cagion di quella atroce pena SATTB (Bk. V, p. 69)
Sento che nel partire SATTB (Bk. II, p. 37)
1. Tirsi morir volea SATTB (Bk. I, p. 50)
2. Freno Tirsi il desio SATTB (Bk. I, p. 53 )
Tribulationem et dolorem SATTB (Bk. VIII, p. 57) good warm-up
Volan quasi farfalle SATTB (Bk. VI, p. 77)
Gibbons: Ah dear heart SATTB (Oxford, p. 20; all have) "gem"
Fair is the Rose SATTB good warm-up; all have
Now each flowery bank of May SATTB ( Penguin 5, p. 52)
What is our life SATTB (Oxford, p. 382; all have)
Goudimel: Pseaume CIII: Sus, loues Dieu (Tom orig; all have)
4. SATTB
Jeep: Nil nostri miserere, mori me denique cogis SAATB or SATTB (if SATTB, needs high tenor) (in German!)
Josquin:# Drei Motetten (Frank, Kienitz, Ruth, 1 ea)
III.De profundis clamavi SATTB or STTTB
Missa "De beata virgine"
Credo SATTB (Das Chorwerk, Frank 6 cc; all have)
Lasso:1. Resonet in laudibus SATTB (N-131; in clefs; all have) Christmas
3. Magnum nomen Domini SATTB (N-133; in clefs; all have) Christmas
Luzzaschi: Quivi sospiri SATTB (Golden Age, p. 53) (gentle; needs good intonation)
Marenzio: Credete voi ch’i viva SATTB (Madrigali, Nr. 1; all have)
Cruda Amarilli SATTB (Madrigali, Nr. 3; all have)
Deh Tirsi anima mia SSATB or SATTB (Ruth orig; all have)
Fieri silvestre SAATB or SATTB (Golden Age, p. 65; high)
Io piango SATTB (European, p. 7; Kienitz file; all have)
Occhi lucenti e belli SATTB (Kienitz file; all have)
Quand’io miro le rose SATTB (Madrigali, Nr. 2 ; all have)
Solo e pensoso SATTB (Madrigalisti, Nr. 5, p. 20 all have)
Marson: The nymphs and shepherds danced SAATB or SATTB (Oriana No. 6, p. 57)
Micheli: Quivi sospiri SATTB (Kienitz file; all have)
Monte: Ahi, chi mi rompe il sonno SATTB (Popular Italian, p. 36; all have)
Monteverdi: Bevea Fillide mia SATTB (Secondo, p. 15)
# Cruda Amarilli SATTB (Ruth file; N104; all have ?)
Ecco mormorar l’onde SATTB or SSTTB or SSATB (Madrigale II, p. 55)
Fili cara e amata SATTB (Ren to Bar II, p. 29; 10 Madrigals, p. 10; all have)
Lagrime d’Amante al Sepolcro dell’Amata SSATB or SATTB (low alto) all
have and Trans available
Lasciate mi morire SSATB or SATTB (Madrigale III, p. 18 and European, p. 12, in f minor; Kienitz file, in d minor)
# Questa ordi il laccio SATTB (Primo, p. 46)
Morley:# About the Maypole new SATTB (Med & Ren, p. 127)
Arise, awake, awake SATTB (Oriana No. 13, p. 136; Ruth file; all have)# Cruel, wilt thou persever? SATTB (Penguin 5, p. 62)
# False love did me inveigle SATTB (Penguin 5, p. 66)
I love, alas, I love thee SSATB folder; SATBB or SATTB in Oxford, p. 148; all have
Leave, alas, this tormenting SATTB (Oxford, p. 153; Med & Ren, p. 133; all have)
My bonny lass SATTB (A Cappella, p. 16; Oxford, p. 186; all have)
Now is the month of Maying SATTB (A Cappella, p. 12; Penguin 5, p. 73;
Oxford, p. 190; all have)
Mundy:# Were I a king SATTB (Penguin 5, p. 76)
Palestrina: Vestiva i colli SATTB (Popular Italian, p. 20; all have)
Schutz: Also hat Gott die Welt geliebt SATTB (Geistliche, p. 55; all have) good warm-up
Viel werden kommen von Morgen und von Abend SATTB (Geistliche, p. 29)
(Also Gesitliche, pp. 1, 5, 35 all SATTB)
Sigismundo d’India: Crud’ Amarilli SATTB (all have)
Tallis: Deus tuorum militum SAATB or SSATB or SATTB (Frank orig, Ruth file, all have)
Illae dum pergunt concite SATTB or STTTB or STTBB (16 Cantiones sacrae I, p. 193; all have)
In manus tuas Domine SATTB (16 Cantiones sacrae I, p. 202; all have copy from M. Keirstead)
O nata Lux de lumine SATTB (16 Cantiones sacrae II, p. 209; all have) "gem"
Quod chorus vatum SAATB or SSATB or SATTB (Frank orig, Ruth file, all have)
Weelkes:1. O care, thou wilt despatch me SSATB or SAATB (Oxford, p. 192; all have)
2. Hence, care SSATB or SAATB or SATTB (Oxford, p. 196; all have) low alto, not warm-up
Wert: D’un si bel foco SATTB (Popular Italian, p. 47; all have)
White: Lamentations for Five Voices SATTB (Kalmus #6724; all have)
SATBB
Brahms: Es ist das Heil uns kommen hier SATBB (Ruth and Neil files; really needs larger group)
O susser Mai SATBB (Peters No. 3915, p. 46; all have) Op. 93a, Nr. 3 Trans
Schaffe in mir, Gott, ein rein Herz SATBB (Neil, Ruth, Kienitz have files; all have singles; Peters No. 66134) (3rd section, SAATBB)
Verlorene Jugend (Brausten alle Berge) SATBB (Peters No. 3915, p. 66; Ricordi, p. 16; all have) Op. 104, Nr. 4
Waldesnacht SATBB (good warm-up; Peters No. 3915, p. 24; all have) Op. 62, Nr. 3 Trans
Byrd:# When first by force of fatall destenie SATTB or SATBB (Med & Ren, p. 121)
Debussy: Trois Chansons, No. 3.
3. Yver, vous n’estes qu’un villain SATBB (all have)
Gallus: Mirabile mysterium SATBB or SATTB (Frank orig; all have)
Gevaert:# Coletta SATBB (A Cappella, p. 131)
Lasso: Tristis est anima mea SATBB (Ruth file; all have)
Marenzio: S’io parto i’moro SATBB (low alto, high first bass) (all have)
Morley: I love, alas, I love thee SSATB folder; SATBB or SATTB in Oxford, p. 148 (all have)
Tallis: Mass "Salve Intemerata" SATBB or STTBB (very low alto and bass) (Ruth 5 cc; Kienitz 1 cc; Kalmus #6692)
STTTB
Josquin:# Drei Motetten (Frank, Kienitz, Ruth, 1 ea)
III.De profundis clamavi SATTB or STTTB
Tallis: Illae dum pergunt concite SATTB or STTTB or STTBB (16 Cantiones sacrae I,
p. 193; all have)
STTBB
Tallis: Illae dum pergunt concite SATTB or STTTB or STTBB (16 Cantiones sacrae I,
p. 193; all have)
Mass:" Salve Intemerata" SATBB or STTBB (very low alto and bass)(Ruth 5 cc; Kienitz 1 cc; Kalmus #6692)
# Salvator Mundi I STTBB or ATTBB (See Med & Ren, p. 104; see also 16 Cantiones sacrae II, pp. 216 and 219 for Salvator mundi I and II)
ATTBB
Tallis: Lamentations of Jeremiah
I. Incipit lamentatio Jeremiah prophetae ATTBB (Kalmus #6696, 19 Anthems, p. 102)
II. De lamentatione Jeremiah prophetae ATTBB (Kalmus #6696,
19 Anthems, p. 110)
Salvator Mundi I STTBB or ATTBB (See Med & Ren, p. 104; see also 16 Cantiones sacrae II, pp. 216 and 219 for Salvator mundi I and II)
* Ruth has single copies; not on Music Available List
# music available, but not yet in our repertoire
6 PARTS 6 PARTS
SSSSAA
Anonymous:# Sumer is icumen in SSSSAA or TTTTBB or SSATTB with
rearranging of parts (Med & Ren, p. 35)
SSSATB
Gesualdo: Donna, se m’ancidete SSSATB (Bk. III, p. 71)
SSAATB
Bateson: Cupid in a bed of roses SSAATB (Kienitz file; all have)
Byrd: Iustorum Dominum (good warm-up) SSAATB (Neil)
This day Christ was born (Christmas) SSAATB (all have; also available SSATTBB version-- Ruth has single cc)
Turn our captivity, O Lord SSAATB (all have)
Hunt: Hark! Did you ever hear? SSAATB (Oriana No. 16, p. 161)
Johnson: Come blessed bird SSAATB (Oriana No. 24, p. 251)
Jones:# Fair Oriana seeming to wink SSAATB (Oriana No. 21, p. 220)
Kirbye: Sleep now, my muse, and henceforth take thy rest SSAATB (Ruth file; all have)
1. Up then, Melpomene
2. Why wail we thus? SSAATB, SSATTB, or SSATBB (Ruth file; all have)
Marenzio: La dove sono i pargoletti amori SSAATB (Madrigali, Nr. 6; all have)
Poulenc: Quem vidistis pastores dicite SSAATB (all have) Christmas
Tomkins: Oft did I marle how in thine eyes SSAATB (Ruth T6 only)
Weelkes:# Gloria in excelsis SSAATB (Frank orig; Ruth & Kienitz, one each)
Mars in a fury SSAATB very martial (Ruth file; all have)
My Phyllis bids me pack away SSATTB or SSAATB (all have)
Wilbye: Softly, o softly, drop my eyes SSAATB "gem" (Ruth, Kienitz files; all have)
SSAABB
Palestrina: Missa "Papae Marcelli" SSAABB or SSATBB (Ruth 6 cc; Kienitz single)
SSATTB
Anonymous:# Sumer is icumen in SSSSAA or TTTTBB or SSATTB with
rearranging of parts (Med & Ren, p. 35)
Bassano: Dic nobis Maria SSATTB not a warm-up (all have)
Bateson: When Oriana walked SSATTB (Ruth file; all have) "unofficial Oriana"
Byrd: This sweet and merry month of May SSATTB (Oxford, p. 313) Also SATB setting of same text "backhanded Oriana"
Claudius: Der Mond ist aufgegangen SSATTB (Ruth file; Kienitz single)
Eccard:# Vom Leiden Christi SSATTB (Chorubungen, p. 88; all have)
Gabrieli, A. :Sonno diletto e caro SSATTB (Popular Italian, p. 66)
Gastoldi: Al Momorar (not a warm-up) SSATTB (all have)
Gesualdo: Aestimatus sum cum descenditibus in lacum (Resp. , p. 87) SSATTB Trans
Astiterunt reges SSATTB (Resp., p. 85) Trans
Caligaverunt oculi mei SSATTB (Resp., p. 64) (very low alto;needs tenor) "gem" Trans
Ecce quomodo moritur justus SSATTB (Resp. , p. 82) Trans
Jerusalem surge SSATTB (Resp. , p. 72) Trans
O vos omnes SSATTB (Resp., p. 80) Trans
Recessit pastor noster SSATTB or SSTTTB (Resp., p. 77) Trans
Sepulto Domino SSATTB (Resp. , p. 90) Trans
Tamquam ad latronem SSATTB (Resp. , p. 49) Trans
Tenebrae factae sunt SSATTB (Resp. , p. 51) Trans
Tristis est anima mea SSATTB (Resp. , p. 13) Trans
Velum templi scisum est SSATTB or SSTTTB ( Resp. , p. 44) Trans
Gesualdo-Stravinsky: Assumpta est Maria SSATTB (Bk. IX, p. 58; all have)
Gibbons:# Round about her charret SSATTB (Oriana No. 19, p. 199)
Hassler: Ich scheid vor dir mit Leide SSATTB (Peters Nr. 3498, p. 10)
Mit Tanzen, Jubilieren SSATTB (Peters Nr. 3498, p. 14)
Josquin: Missa: "De beata virgine" (Das Chorwerk, Frank 6 cc; all have)
Sanctus, AgnusSSATTB
Kirbye:1. Up then, Melpomene
2. Why wail we thus? SSAATB, SSATTB, or SSATBB (Ruth file; all have)
# With angel’s face SSATTB (Oriana No. 20, p. 210)
Lassus: S’io esca vivo SSATTB (Popular Italian, p. 58; all have)
Lisley: Fair Cytherea presents her doves SSATTB (Oriana No. 22, p. 232)
Marenzio: Dono Cinzia a Damone SSATTB (Madrigali, Nr. 4; all have)
In un bel bosco SSATTB or SAATTB (all have)
Interdette speranze e van desio SSATTB or SSATBB (Madrigali, Nr. 5; all have)
Leggiadre Ninfe SSATTB (Popular Italian, p. 73; all have)
O ferre stelle SSATTB (very high) (all have)
Monteverdi:# Hor che’l ciel e la terra SSATTB (with instruments) (Frank 9 cc) Trans
Morley: Hard by a crystal fountain SSATTB (high) (Oriana No. 23, p. 238; Oxford,
p. 121; all have)
Ramsey: Sleep, fleshly birth SSATTB (Oxford, p. 275; all have) "gem"
Schutz: Ein Kind ist uns geboren SSATTB (Geistliche, p. 79) Christmas
O lieber Herre Gott SSATTB (Geistliche, p. 57; all have)
Selig sind die Toten SSATTB (Chorubungen, nr. 45; Geistliche, p. 139; all have)
Trostet, trostet mein Valk SSATTB(Geistliche, p. 65; all have)
(Also Geistliche, pp. 71, 85, 93, 101, 111, 123, 131 SSATTB)
Vautor: Shepherds and nymphs SSATTB (Ruth T6 only) ("posthumous Oriana")
Ward: Come, sable night SSATTB (high sopranos) (Oxford, p. 54; all have)
1. If the deep sighs of an afflicted breast SSATTB (Ruth file; all have)
2. There’s not a grove SSATTB (Ruth file; all have) high sopranos
# Weepe forth your teares, and doe lament SSATTB (Med & Ren, p. 180)
Weelkes: As Vesta was from Latmos Hill descending SSATTB (Oriana No. 17, p. 175; Oxford, p. 27)
My Phyllis bids me pack away SSATTB or SSAATB (all have)
1. Thule, the period of Cosmography SSATTB (Oxford, p. 339; all have)
2. The Andalusian Merchant SSATTB (Oxford, p. 348; all have)
When Thoralis delights to walk, the Fairies do attend her SSATTB or SSTTTB
(Ruth file; all have)
Wert: Adesto dolori meo SSATTB "gem" (all have)
Wilbye: Cruel behold my heavy ending SSATTB (Ruth T6 only; Kienitz 6 cc)
Draw on, sweet night SSATTB (Oxford, p. 76; all have) "gem"
The Lady Oriana SSATTB (Ruth, Kienitz, 6 cc ea; Oriana No. 15, p. 152; all have) not a warm-up
1. Of joys and pleasing pains I late went singing SSATTB (Ruth T6 only)
2. My throat is sore, my voice is hoarse SSATTB (Ruth T6 only)
Stay, Corydon, thou swain SSATTB (Kienitz and Ruth files; all have)
When shall my wretched life give way to death SSATTB (Ruth T6 only; Kienitz
6 cc)
SSATBB
East:# Poor is the life SSATBB (Oxford, p. 229)
# 1. Quick, quick, away, dispatch! SSATBB (Oxford, p. 235)
# 2. No haste but good! SSATBB (Oxford, p. 241)
Farmer: Fair nymphs I heard one telling SSATBB (Oriana No. 14, p. 144; Oxford, p. 91)
not a warm-up
Hassler: Ihr Musici frisch auf! SSATBB (all have)
Holst: I love my love SSATBB (all have)
Josquin: Missa "Da pacem" (Kalmus #6147; all have)
III. Agnus SSATBB
Kirbye:1. Up then, Melpomene
2. Why wail we thus? SSAATB, SSATTB, or SSATBB (Ruth file; all have)
Marenzio: Interdette speranze e van desio SSATTB or SSATBB (Madrigali, Nr. 5; all have)
Milton: Fair Orian SSATBB (low alto) (Oriana No. 18, p. 189)
Palestrina: Missa "Papae Marcelli" SSAABB or SSATBB (Ruth 6 cc; Kienitz single)
Tu es Petrus SSATBB (good show piece) (Ruth and Kienitz files; all have)
Senfl:# Mit Lust tret ich an diesen Tanz SSATBB (European, p. 68)
Vecchi: The white delightful Swan SSATBB (low alto - G; not warm-up) (all have)
Ward:# Out from the vale SSATBB (Oxford, p. 200)
Weelkes: Like two proud armies SSATBB (all have)
Say, dear, when will your frowning? SSATBB (Kienitz and Ruth file; all have)
SSTTTB
Gesualdo: Recessit pastor noster SSATTB or SSTTTB (Resp., p. 77) Trans
Velum templi scisum est SSATTB or SSTTTB (Resp., p. 44)
Weelkes: When Thoralis delights to walk, the Fairies do attend her SSATTB or SSTTTB
(Ruth file; all have)
SSTTBB
Weelkes: Cease now delight SSTTBB (Kienitz and Ruth files; all have)
SAATTB
Debussy: Trois Chansons
2. Quant j’ai ouy le tabourin SAATTBB (can be SAATTB) (all have)
Josquin: Veni, Sancte Spiritus SAATTB (Frank, Vier Motetten, p. 16; all have but Neil)
Marenzio: In un bel bosco SSATTB or SAATTB (all have)
Victoria:# O Domine Jesu Christe SAATTB (Motets, p. 8) (all have)
# Trahe me post te SAATTB (Motets, p. 1) (all have)
SAATBB
Brahms: Abendstandchen SAATBB (good warm-up; Peters No. 3915, p. 4; all have)
Op. 42, Nr. 1 Trans
All meine Herzgedanken SAATBB (Peters No. 3915, p. 29; all have) Op. 62,
Nr. 5 Trans
# Darthulas Grabesgesang (Maedchen von Kola, du schlaefst) SAATBB (Peters No. 3915, p. 12; all have)
# Der Falke SAATBB (Peters No. 3915, p. 50; all have)
Deutsche Volkslieder
8. In stiller Nacht SAATBB (Peters No. 3915, p. 88; all have) (alto divides 2 meas) Trans
# Es geht ein Wehen SAATBB (Peters No. 3915, p. 33; all have)
Letztes Glueck (Leblos) SAATBB (Peters No. 3915, p. 63; Ricordi, p. 12; all have) Op. 104, Nr. 3
Nachtwache I and II (need real alto) Op. 104, Nrs. 1 & 2 Trans
I. Leise Toene der Brust SAATBB (Peters No. 3915, No. 3915 p. 56;
Ricordi, p. 2; all have)
II. Ruhn Sie? SAATBB (Peters No. 3915, p. 60; Ricordi, p. 8; all have)
Schaffe in mir, Gott, ein rein Herz SATBB (Neil, Ruth, Kienitz have files; Peters No. 66134; all have singles) (3rd sect. SAATBB)
Vineta SAATBB (Peters No. 3915, p. 7; all have) Op. 42, Nr. 2
Gallus: Illuminare Jerusalem SAATBB (clefs) (N-18; Ruth file; all have)
Josquin: Baisies-moy SAATBB (Kienitz file; all have) (tenor-killer)
# Drei Motetten (Frank, Kienitz, Ruth, 1 ea)
II.1. O virgo virginum SAATBB or STTTBB or SATTBB
2. Filiae Jerusalem SAATBB ot STTTBB or SATTBB
# Praeter rerum seriem SAATBB (Frank, Vier Motetten , p. 23; all have but Neil)
Victoria: Beata es, Virgo Maria (LI) (Motets, p. 73; all have) SAATBB (really SATTBB - very low)
Weelkes:# Death hath deprived mee SAATBB (Med & Ren, p. 170)
SATTTB
Gesualdo:# Ecce vidimus eum SATTTB (Resp., p. 16; Neil’s group performed) Trans
# In monte Oliveti SATTTB (Resp., p. 9; Neil’s group performed) Trans
# Sicut ovis SATTTB (Resp., p. 68; Neil’s group performed) Trans
SATTBB
Brahms: Deutche Volkslieder
3. Bei naechtlicher Weil SATTBB (Peters No. 3915, p. 76)
Bruckner: Virga Jesse SATTBB (better with big chorus) (all have)
Gesualdo-Stravinsky:# Da pacem Domine SATTBB (Bk. IX, p. 19; Kienitz orig; Ruth single copy)
Josquin:# Drei Motetten (Frank, Kienitz, Ruth, 1 ea)
II.1. O virgo virginum SAATBB or STTTBB or SATTBB
2. Filiae Jerusalem SAATBB ot STTTBB or SATTBB
Victoria: Beata es, Virgo Maria ( LI) SAATBB (really SATTBB - very low) (Motets,
p. 73; all have)
White: Lamentations for Six Voices SATTBB (Kalmus #6724; all have)
STTTBB
Josquin:# Drei Motetten (Frank, Kienitz, Ruth, 1 ea)
II.1. O virgo virginum SAATBB or STTTBB or SATTBB
2. Filiae Jerusalem SAATBB ot STTTBB or SATTBB
Tenez moy en vos bras STTTBB (Anth. of Music, p. 36; all have) needs 5 men
STTBBB
Josquin:# Benedicta es coelorum regina STTBBB (Frank orig; Ruth single copy)
TTTTBB
Anonymous:# Sumer is icumen in SSSSAA or TTTTBB or SSATTB with
rearranging of parts (Med & Ren, p. 35)
* Ruth has single copies; not on Music Available List
# music available, but not yet in our repertoire
7 PARTS 7 PARTS
SSA SATB
Bassano: Hodie Christus natus est SSA SATB (all have) Christmas
SSAATTB
Morley: Phillis, I fain would die now SSAATTB (all have)
Poulenc: La blanche neige SSAATTB (all have)
SSAATBB
Poulenc: Timor et tremor SSAATBB (needs work!) (all have)
Schutz: Ich weiss, dass mein Erloeser lebt SSAATBB (Geistliche, p. 151)
SSATTBB
Brahms:# Das Maedchen SSATTBB (Peters No. 3915, p. 42)
Byrd: This day Christ was born (Christmas) ( Ruth single copy of SSATTBB version)
Note: There is also SSAATB version
Tallis: Gaude gloriosa Dei Mater SSATTBB (Kalmus #6696, 19 Anthems, Vol. III, p. 123)
Suscipe quaeso Domine SSATTBB (16 Cantiones sacrae II, p. 222)
SAATTBB
Bruckner: Ave Maria SAATTBB (all have)
Debussy: Trois Chansons, No. 2 (all have)
2. Quant j’ai ouy le tabourin SAATTBB (can be SAATTB)
SAABBBB
Gesualdo-Stravinsky:# Illumina nos SAABBBB (Bk. IX, p. 89: Ruth single, Kienitz orig)
SATTTBB
Schutz: Der Engel sprach zu den Hirten SATTTBB (Geistliche, p. 167) Christmas
* Ruth has single copies; not on Music Available List
# music available, but not yet in our repertoire
8 PARTS 8 PARTS
Double Chorus - SATB SATB
Bach, J. C.:Ich lasse dich nicht SATB SATB double chorus (Frank 11 cc; all have)
Bach, J. S.:Der Geist hilft unsrer Schwachheit auf SATB SATB double chorus (Motet II,
p. 33)
Fuerchte dich nicht, ich bin bei dir SATB SATB double chorus (Motet IV,
p. 72)
Komm, Jesu, komm SATB SATB double chorus (Motet V, p. 88; Frank and Ruth have extra single copies)
Singet dem Herrn ein neues Lied SATB SATB double chorus (Motet I, p. 3)
Lasso:# O la, o che bon eccho! SATB SATB double chorus (Ruth single copy:N125)
Victoria: Ave Maria (XLIV) SATB SATB double chorus (Motets, p. 13; all have)
Double Chorus - SSAB SATB
Palestrina:# Hodie Christus natus est (Christmas) SSAB SATB Double Chorus (Frank orig; Ruth T8; Kienitz single)
SSAATTBB
Brahms:# Rosmarin SSAATTBB (Peters No. 3915, p. 19; all have)
Bruckner: Os justi meditabitur sapientiam (Gradual II) SSAATTBB (Peters 6315; Ruth, Neil, Kienitz) (not a warm-up)
Casals: O vos omnes SSAATTBB (Ruth file; all have )
Cui:# Cloud Messengers SSAATTBB (A Cappella, p. 160)
# Radiant stars, above the mountains glowing SSAATTBB (A Cappella, p. 165)
Persichetti: Mass for Mixed Chorus SSAATTBB (Ruth 6 cc; all have)
Poulenc: Exultate Deo SSAATTBB (Map out pg. 6 before singing) (Ruth file; all have)
Toch: Valse SSAATTBB
MISCELLANEOUS MISCELLANEOUS
Toch: Geographical Fugue SATB (for speaking chorus) (all have)
Valse SSAATTBB (for speaking chorus) (all have)